My Days in the AV Industry (27)

;;;Persuading Masaki to change his film to a documentary wasn't a major alteration. The main content still revolved around the intimate scenes between Shiro (Kojima Ai) and Ai (Hyakukawa Shiroko), which, of course, couldn't be directly adapted from a restricted online film, so it had to be cut.

;;;Masataka Matsunaga had reviewed the two women's resumes and learned about their backgrounds, and felt that their backgrounds could be used as material to develop a documentary about their life experiences. The reason was that Shiro and Ai's upbringing was essentially the same: due to their ordinary, unremarkable appearances, and even being associated with "demonic" qualities, they never received harmony or care from classmates and teachers at school, completely isolated. But they didn't give up; through hard work, they consistently achieved excellent grades, only to be "ignored by the crowd" in the end.

;;;This intrigued Matsunaga, so he called them to ask what they most wanted to do at school? Their answers, surprisingly, were the same: they wanted to "date" and "have a boyfriend." Watching their female classmates being pursued by boys, or having crushes on the school's heartthrobs, writing love letters, and exchanging gifts—these were their most cherished dreams. In other words, their hearts were filled with longing; what girl doesn't yearn for love? Unfortunately, no one paid attention, no one accepted their desires, and some even disliked them because of their looks or perceived "seductiveness," ultimately forcing them to use their studies as an excuse.

Masaki initially approached them to make films, exploiting their vanity and yearning to capture what might be their only chance to be "the protagonist" in their vibrant, radiant youth. Xiaobai and Xiaoai were ultimately swayed by Masaki Nobuyoshi's sweet talk.

After reading Matsunaga Masataka's manuscript, Masaki Nobuyoshi worked through the night, completely reorganizing the work process. Time was tight; it had to be completed within the next few days. He needed to re-document and film Xiaobai and Xiaoai's life story, arranging for a film crew to visit their home and interview them at school, especially focusing on their experiences at school where they were ignored yet desperately wanted attention and care.

(In reality, their life "journeys" shared the common problems of other "ugly" women: lack of recognition from friends and classmates, isolation and neglect, forming another group of "homebody girls" in society.)

Then, Masaki's "messenger" appeared, presenting himself as a so-called "talent scout." Through sweet talk, he made Xiaobai and Xiaoai believe that filming AV movies wasn't just about pure pornography. It was a carefully crafted makeover, making them the "favorites" of many men in the AV, the sole female lead.

In other words, Masaki also wanted to include the "talent scout process" of discovering Xiaobai and Xiaoai in the film. This is the most crucial turning point in the film, and every detail is crucial. The goal is to create a "misconception" for the audience, making them believe that the entire process, from discovering the "girls" to "luring" them into filming, is just a bunch of empty promises, with the aim of getting these girls to undress and make AVs.

However, viewers will "surprisingly" discover that finding girls for AVs requires finding top-tier girls with "sweet" looks and "good" figures! How could they find such plain-looking "pigs" or "fox spirits"? Did they want the film to lose money?

This is the "highlight" of the film, and also the reason why Nobuyuki Masaki initially chose "top-quality" girls like Shiro and Ai. Through Megumi Fujiwara's genius makeup and styling, although Shiro and Ai cannot be transformed into first-rate beauties, the transformation is still eye-catching, making them a focal point among the stars.

During Fujiwara Megumi's meticulous planning and transformation, Masaki Nobuyuki followed the entire process, especially interviewing the two women about their physical and psychological changes at each gathering. He wanted the public to know that even "ordinary"-looking, "demonic" girls, whom film companies wouldn't even glance at, could become the "only" leading lady, shining brightly on the stage of "life.

" When Shiro and Ai made their "splendid" entrance, they craved attention, longed to be "leading ladies," and didn't want to be ignored anymore. Under director Masaki's arrangement, they filmed intimate scenes with a group of men, showcasing their transformed and radiant appearances to the audience, giving everyone a refreshing and eye-opening experience.

To add "fun" to the documentary about Shiro and Ai, Masaki added a rather meaningful "interlude" in the latter part of the film. The film also included the first "molestation" scene between the two women in the K-room that night with Ren Le and Jun San (of course, the sex scenes were completely cut and not shown). In the film, Ren Le unintentionally asked Xiao Bai a direct and unvarnished question: Why did you agree to make an adult film with Masaki?

Xiao Bai simply replied: What's wrong with wanting to leave behind the most beautiful moments of your life? Do you want to hide in your room and cry when you're abandoned by someone in the future, or even when you don't have the right to be abandoned? This heartfelt statement resonated with a group of "top-notch" otaku women, and it was the key to the success of Masaki's film's online broadcast.

Although the film still had many plot holes and lacked rigor after its completion, the story was full of human tension. Through Masaki Nobuyuki's deliberate arrangement and packaging, the camera weaved between the two people's real lives and the "performance" stage, creating a plot that intertwined reality and illusion. The otaku girl, treated as "invisible," longed to be the protagonist on stage, even if it was an erotic AV stage, and the subsequent "frankness" of human emotions was probably the climax of the whole film. This in itself also created a literary subject.

Ten days later...

"What's going on?" Watanabe Michihisa roared from the other end of the office, questioning Tsuyoshi Hideji sharply.

"I'm sorry, Section Chief Watanabe!" Tsuyoshi bowed his head repeatedly, his fists clenched tightly and trembling. "I never expected that Sanae Mizuna would adapt Masaki's AV film into a web movie, and the response after its release online would be so enthusiastic, with the number of views constantly climbing. The demands of 'top-tier' otaku girls have become a hot topic online, and many people are commenting that our company is so bold and innovative in using such an ordinary-looking otaku girl as the female lead, which is unexpected by many..." "

I can see that even if you don't say it, the question is why their adapted film has received such a huge response. In the past, some people have put AV films online to stir up trouble, and all they got in return was a barrage of lewd insults. But this time is different. Masaki's film was not only not cursed, but some people even sympathized with the two girls' plight and formed some kind of 'top-tier' fan club to support them." "

This... I'm baffled too! Actually, some people online are criticizing Masaki and the two girls' videos as fabricated, insulting our AV company as a deceptive publicity stunt to gain sympathy. Some even say the two girls sold their bodies to become female leads, deeming it morally reprehensible. But quickly, people rallied behind Masaki and the girls, most siding with them, moved by their stories. Especially those who empathized, the 'pigs' and 'dinosaurs' left messages online supporting the girls, marveling at their remarkable transformation. They even called to ask if our company was still hiring female leads; our customer service lines were completely full."

"Absurd! Utterly absurd! What's so moving about that? They're just two idiots and a fox spirit in disguise. What's there to be impressed or amazed about?" Watanabe Michihisa slammed his fist on the table, his eyes bloodshot, and said bitterly, "It's all Mizuna Sanae's scheme. She planned it all along. Those online supporters were all recruited by her to boost Masaki's popularity. I blocked their way out, so she put Masaki's videos online in a roundabout way, making it impossible for us to defend ourselves."

Hearing Watanabe Michihisa's dejected words, Tsuyoshi Hideji's cold face was filled with resentment. He said unwillingly, "What does Section Chief Nagano (Shigehide) think? Are we just going to let Mizuna and the others get away with it?"

"The section chief's idea is for us to hold back for now. We can only stand by and watch!"

"What? Are we really going to do nothing? Section Chief!" Tsuyoshi glared angrily at Watanabe, but couldn't say anything.

"What else is there to say? He's a hot celebrity now, who would want to stand in the limelight and become a [disgrace]? You should just leave, whatever you want to do!"

Understanding Watanabe's meaning, the fierce-looking Gon left resentfully...

"I've already booked a table outside tonight, let's all continue to celebrate and have fun!"

"Long live the captain!!!"

While one side was burning with anger, the other side was bustling with excitement. Because Masaki's film received a very enthusiastic response after being broadcast online, many people were paying attention to the story of the two ordinary girls, Shiro and Ai, and their fame instantly soared online. So, Sanae Mizuna held a simple celebration party in her office, and Yumiko Uda, the head of the expansion department, also came out to join in the festivities, generously announcing that she would treat everyone to dinner that evening to celebrate Masaki's video going viral online…

;;; "Those two, Shiro (Hyakukawa Shiroko) and Ai (Kojima Ai), have their contracts been signed?"

;;; "They've been signed. They've long been official contracted artists with our company; this is just a matter of adding some minor clauses." After celebrating with the staff, Yumiko Uda led Sanae Mizuna back to her office to discuss matters.

;;; "I called you here to talk about something, actually, it's also about these two's contracts." Yumiko Uda was Sanae Mizuna's direct supervisor, but when the two worked together, Yumiko didn't act like a boss at all. This was because this woman was not only highly capable, but also very good at handling and maintaining a strong subordinate relationship. Facing Mizuna Sanae, neither intimidation nor a need for it was necessary; a few simple words were enough for mutual understanding.

"You're thinking of reselling Shiro and Ai's contracts?!" Mizuna, having risen to the position of director, understood industry practices. Selling artist contracts was commonplace, but only for artists who had lost their "value." Sometimes, artists were exchanged with other agencies. But Shiro and Ai were currently at the height of their popularity; why would the company easily resell them? Unless there was another reason, Mizuna's icy face showed only a hint of doubt as she calmly dealt with her shrewd female boss.

"There's no other way. The higher-ups value the 'positive' videos that Masaki Nobuyuki produced for Shiro and Ai on the web, so they specifically asked them to transfer to a production company with which they have a sister company. Don't worry, their treatment there will be double what it is here." "

As expected, 'Hunter's Company' is an adult film production company, which, to put it bluntly, sells adult films. Society still views these 'underworld' companies with a stigma, and this hasn't changed. Masaki's films becoming a hit online is a positive breakthrough for the adult film industry, but it doesn't mean changing society's perception of adult films.

Therefore, Masaki and the two women must seize this opportunity to leave the adult film industry and distance themselves from the 'underworld.' This is what's rumored: most women enter the adult film industry not only to make quick money, but also to achieve instant fame through this 'unconventional' path. But is this path a one-in-a-thousand chance? Or a one-in-ten-thousand chance? Or did the novice and the young woman just happen to meet Masaki?

Selling the two women to the 'brother' company is also a kind of 'unspoken rule'." Among AV actresses, a rare, shining star was indeed discovered, and the production company wouldn't hesitate to spend money to promote her. However, the AV production company's background was indeed difficult for the public to accept, so they formed a "powerful alliance" with so-called "legitimate" film production companies to "launder" these shining new stars and transfer them to these sister companies. This made it easier for the public to accept, and the profits "earned" by the "laundered" actresses were not only larger, but also had more diverse revenue streams.

Unlike popular AV actresses whose advertising and film revenue was mostly related to "sex," their avenues were narrow and singular. Of course, things are much better now than before. Many different advertisers are willing to hire some well-known actresses to shoot commercials, and the advertising fees are naturally cheaper than for ordinary stars, not to mention big-name stars.

"Manager Uda, if we sell Shiro and Ai like this, wouldn't that be like giving someone else a dowry?" Understanding that selling the two girls was a well-considered decision by Uda Yumiko, she was certain she wouldn't suffer a loss. But what about Mizuna herself? She couldn't let someone take away the credit she'd worked so hard for with just a few words. So Mizuna went straight to the point, asking for clarification.

"Don't worry about that. The AV competition is entirely in your hands; no outsiders are allowed to interfere. Due to the huge success of Masaki's films, many 'girls' want to join our company, and you'll be responsible for selecting them as well. As for the film supervision and selection, they have no objections; it's all up to you. We're giving you complete control over the planning, coordination, and other aspects of the project."

Manager Uda's words restored the company's trust in Mizuna Sanae as the director. The incident stemmed from the leak of the hospital videos filmed by Ota Tonraku, which made the company suspicious of Mizuna and reduced her authority at work. Especially her work in planning and supervising film projects, which was completely "incompatible" with her position as director, was severely hampered. Now, she has redeemed herself and regained her former glory.

It's just a pity that she wasted Masaki Nobuyuki, as Uda intended to transfer him to a sister company as a director as well. Shiro and Ai are nothing compared to her; they're just actresses. Selling them out would allow Mizuna to choose from many other actresses with sweet looks and good figures. But Mizuna was somewhat unwilling to let a promising new director like Masaki be taken away.

However, the cunning Uda department head had her plans thwarted perfectly, not only getting her "assets" but also keeping her "career line" completely hidden. The reason for selling out Masaki was twofold: firstly, to prevent Mizuna from gaining too much power. Secondly, Masaki is currently in high demand, and many companies want to poach this newcomer. Even sister companies have specifically requested Masaki to switch sides. This would be a good thing, as building good relationships with other companies would benefit him to some extent.

;;;After Mizuna Sanae left the office, Uta made a phone call: "The matter has been settled, she has no objections... Okay, I understand what you mean. I will keep an eye on her. As long as she doesn't cause trouble, I'll give her the authority to do her job..."

;;;"Masaki is leaving? Director Mizuna, what's going on?" Hearing that Masaki, Shiro, and Ai had all been "taken over," Ota Renraku immediately questioned Mizuna about it. The reason he initially connected with Masaki Nobuyuki was so that he and Tsukasa Shunzo could become A-level male actors and no longer have to play minor roles.

Masaki has achieved a remarkable leap forward. Although he ultimately failed to participate in the AV competition, his current value far surpasses that of other new directors, fulfilling Mizuna Sanae's promise. However, with his departure, will Jun-san and Ren-le still have films to make?

Especially for Ren-le, there's a pressing issue: the start of the semester is in a few days. Although that third-rate university only requires registration, the half-day classes are simply a waste of time. Last semester, one professor never attended a single class, and at the end of the semester, students were simply given rote memorization of exam questions—a complete scramble to pass. Staying in the classroom at

this kind of university is a waste of time, but regardless, tuition must be paid! Are you going to drop out? It's hard to explain to your mother back in the countryside; you need a graduation certificate to have something to say about it.

So, he thought becoming a male porn star would be a quick way to make money, but little did he know that male porn stars are also divided into levels. The pay for low-level stars is pitifully low; even if you work tirelessly for twenty hours straight, the pay is still meager. Therefore, what Ota Renraku cares about most is whether he can be promoted to a higher-level male porn star and earn more money!

"This is the company's decision, and it was also agreed upon by Manager Uda, so I can't refuse." As she said this, Mizuna Sanae glanced at Okita Kyoko on the other side. This person is both Mizuna Sanae's assistant and someone close to Uda Ancha. Okita Kyoko didn't respond, simply silently taking notes and doing what she was supposed to do.

"Starting tomorrow, Si Ye Junsan will still be working at the branch office. Don't worry, although he didn't sign a contract with the company, his salary is already equivalent to that of an A-level male actor. I can assure you of that."

"Huh?! What about me?" Junsan has been promoted to A-level male actor, so what about me? It turns out that Mizuna Sanae hasn't yet sent out notices regarding Ren Le's promotion to a senior male actor, and he's been feeling uneasy.

"Hmph, you..." Mizuna Sanae gave a cold smile, a smile that sent chills down Ren Le's spine: "You'll stay at headquarters. Come down to the conference room on the fourth floor with me in a bit. Also, here's a check for 300,000 yen. Take it; it should be enough for your tuition!"

Wow? 300,000 yen? Such a generous offer! Even a top-tier male actor would be lucky to earn tens of thousands for a single film. Is he going to assign me some kind of grueling, dangerous task? Just as Ren Le hesitated, unsure whether to take the million, Mizuna Nozomi knocked on the door. After gesturing for him to enter, she said, "Director, they're here, waiting for you on the fourth floor." "

They're here? Good! Hmm (glancing at Ren Le)... Ota's clothes are alright today. You come with me, and follow my instructions carefully, don't embarrass yourself!" Hearing her sister Mizuna Nozomi's report, Mizuna Sanae's eyes flashed, and her expression turned serious.

"Huh? Director, I..." Before even understanding the 300,000, and already being taken to some unknown meeting, Mizuna Sanae had already left him behind, rushing out of the office. She suddenly noticed that Director Mizuna's expression had changed. Looking at Mizuna Nozomi again, she saw that she had only made a face at him and walked away without saying anything. Confused, Ren Le could only hurriedly follow the already departing Mizuna.

It was only then that she realized that besides herself, her assistant, Kyoko Okita, photographer, Anna Anjou, stylist, Megumi Fujiwara, and the senior director transferred from the branch office, Kiyoshi Takasaka, were also waiting at the elevator. (Masaki had left; it was said that Sanae Mizuna had personally called Matsunaga Masataka to recommend a trusted director to headquarters, and Kiyoshi Takasaka was the obvious choice.)

Wow! Judging from the crowd, they were all Mizuna's own people. What was going on today? How come she hadn't received a single word of it? Even the "forceful" Megumi Fujiwara, who usually gave her a lecherous look but would just smile at Mizuna, was now cautious, especially when looking at Sanae Mizuna, deliberately lowering her eyes and displaying a submissive demeanor.

Just as Ren Le entered the elevator, he glanced back at the office on the other end. Through the horizontal glass window, he saw Watanabe Michihisa and Tsuyoshi Tsuyoshi glaring resentfully at him, their eyes silent and filled with grudges. He increasingly felt that the meeting to come would definitely not be so simple.

The short ten seconds in the elevator felt like an eternity. The atmosphere inside was heavy, the oppressive feeling making it hard to breathe, and that oppressive aura emanated entirely from Mizuna Sanae. What's going on today? It's just an ordinary workday, why is everyone so serious and heavy? The heavy atmosphere made Ren Le too embarrassed to ask Anna or Director Takasaka.

"Ding!" The elevator doors finally opened, and everyone instinctively looked at Mizuna Sanae, all stopping in the elevator, no one daring to be the first to step out.

Mizuna Sanae took a deep breath before confidently and steadily walking out. Her imposing presence from behind commanded respect, and everyone kept a safe distance as they followed behind.

"Director Mizuna, you've finally arrived. Thank you for your hard work!" Stepping out of the stairwell, around the corner was the entrance to the fourth-floor meeting hall, where several people Ren Le didn't recognize were already waiting. One of them approached Mizuna Sanae with a beaming smile, seemingly trying to establish a closer relationship.

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