Moshe's Altar

At the altar of Moshe, Flying Film Company found itself in dire straits. Relying on the financial support of an international conglomerate, the company had suffered severe losses due to previous operational errors. The conglomerate was eager to repay its debts, and failure to do so would not only lead to the company's collapse but also endanger the lives of its top executives. The only possible solution, however, was that the international conglomerate demanded the company produce a film featuring live disembowelment, with a beautiful young Chinese woman as the lead, catering to Western tastes. This presented a major challenge for the company's core team, led by President Fly. After numerous secret investigations, no attractive young woman was willing to take on the role. Just as Fly was preparing to dissolve the company and take the blame for the group, his secretary, the youthful and beautiful Xuebei, volunteered to play the lead role. To save the company and Fly's lives, she willingly offered her body. Fly and the core team were unwilling to let Xuebei risk her life, but had no other options. In desperation, they were forced to choose Xuebei. The company's writing team produced the script "The Altar of Moshe," with a simple plot: Over 900 years ago, nestled among the mountains of southwest China, lived a tribe called Moshe. Whenever natural disasters struck, they would send a beautiful girl from their tribe to an altar to have her abdomen dissected, offering her intestines to the mountain god in prayer for favorable weather and a bountiful harvest in the coming year. Filming then began. After more than a month of intensive work, almost all the necessary scenes for the film were shot, except for the most crucial and exciting element: the "human sacrifice" scene. This type of filming was highly secretive. The location was chosen in a mountain valley 58 kilometers northwest of Lijiang, Yunnan, a 20-kilometer radius deserted area. The filming lasted about half an hour, and only nine people were allowed on set: five from the core team, one camera assistant, two doctors, and Xuebei, the lead actress. Freegate, also a core team member, was responsible for performing the surgery. On August 2nd, they flew to Kunming, developed a detailed filming and operational plan, and carefully discussed and finalized some details. Finally, fly gave a summary speech: Initially, the length of the incision was determined to only cut open Xuebei's lower abdomen, resulting in a small wound, easier recovery, and less bleeding. However, because the incision was small, the intestines couldn't all flow out smoothly; they would have to be manually removed, causing abrasion of the intestinal lining and bacterial infection, increasing Xuebei's pain, and deviating from the requirements of the plot. Therefore, a large incision was needed, opening the entire abdomen, from the center of the sternum all the way down, but without damaging the bladder. The intestines should fall out naturally, and Xuebei should cooperate by relaxing her waist, allowing the cut abdomen to open, and even twisting her body to allow the intestines to flow out of the abdominal cavity under gravity. The incision should be along the center line, which would inevitably damage the navel, but cosmetic repair could be done after healing. Freegate needs to carefully control the depth of the incision; don't cut too deep. If it's not completely cut through, you can make further cuts, but be extremely careful not to rupture her intestines. Regarding Xuebei's feeding, normally she shouldn't eat after surgery, as this increases the difficulty of suturing the abdominal wall. However, to enhance the visual effect and conserve her energy, after consulting with the doctor, Xuebei will still need to eat some semi-liquid food. Choose a variety of colors for the food; having something in her stomach and intestines will encourage movement, and you can see the movement of the intestinal contents through the intestinal wall, increasing realism. Of course, she needs to defecate and urinate before filming. The protruding intestines must not fall to the ground or get dirty, so the offering plate should be placed there to allow the intestines to accumulate. After filming, quickly untie Xuebei, supporting her waist, and place her on a stretcher. The intestines must not be put back into the abdominal cavity; cover them with sterile gauze, and place the plate along with the intestines on Xuebei's chest, covering her exposed abdomen as well. She was quickly taken to the vehicle for anesthesia and a blood transfusion. I had already contacted a hospital in Lijiang for further treatment. The filming was scheduled for August 6th, for good luck. The specific time was 10 AM, when the lighting would be ideal. The altar was to be erected on the 5th, and it should be simple, rustic, and characteristic of that era. The distance between the altar and the sacrificial table should be moderate, just enough for Freegotte to operate. The bottom of the altar should be level with the altar tabletop so that Snowbeam's entire body could be filmed without obstruction. After Freegotte performed the cesarean section, he had to leave quickly so that the warriors could move the altar to the altar, allowing Snowbeam's intestines to fall into the silver dish on the altar… The next day, they headed to Lijiang and stayed in the ancient city. The long-awaited yet unsettling day finally arrived. Everyone arrived at the filming location, where the altar was already erected as planned. Behind the altar stretched a continuous, pale blue mountain range, with wisps of white clouds floating like smoke around its waist. Lush fir trees grew on the slopes, and colorful wildflowers dotted the verdant meadows beneath them. It was like a romantic, mysterious fairytale world. The men had all changed into Moshe costumes, dressed as Moshe warriors. Xuebei stripped naked, donned a wide white robe, wore a wreath of wildflowers on her head, and applied light makeup. Everyone gathered around Xuebei. Fly looked at Xuebei and said softly, "We won't say much. If it hurts too much, just shout. It'll be over in 20 minutes at most, and then we'll take you to the hospital immediately." Xuebei didn't speak, but bit her lip lightly and nodded firmly. "Let's begin," Fly commanded. Cameras for medium, close-up, and long shots were already set up. Fly picked up a high-speed handheld camera and personally filmed the entire disembowelment process in close-up, so that the details of the disembowelment could be shown during normal-speed playback, enhancing the visual impact. Shebe, barefoot, slowly walked towards the altar and the sacrificial frame, followed by four Moshe warriors. Before the sacrificial frame, Shebe removed her white robe. The four warriors lifted Shebe. Shebe's naked body stood in a "T" shape against the sacrificial frame, and the four warriors bound Shebe's limbs to the round logs of the frame. On the altar, Xuebei displayed the delicate beauty of an Eastern woman. Her fair skin was so smooth, her long, black hair cascading over her smooth shoulders. Her slender figure had not an ounce of excess fat, and her two well-proportioned breasts stood proudly on her chest, the rosy nipples gleaming alluringly. Her chest and abdomen rose and fell rhythmically with her breath, revealing a deep, round navel, a slightly protruding lower abdomen, and a dark, bushy vulva. Between her parted legs, her crimson labia majora parted, a shy blush on her face, and her bright black eyes gazed into the distance… The Moshe warriors sounded their horns… Freegate walked towards the altar and stopped before the sacrificial table. He took a dagger from the silver tray on the table, raised it above his head, knelt on one knee, and paid homage to the mountains. Fly, carrying a camera, also came to the altar. Freegate faced Xuebei, whose belly was in the perfect position to wield the knife. “I’m going to do it,” Freegate said softly, watching Xuebei’s gently rising and falling belly. “Hold your breath so I can control the depth of the cut and make it easier.” “Okay, let’s go!” Xuebei responded, taking a deep breath and holding it, while arching her back forward. The sharp blade pierced the highest point of Xuebei’s upper abdomen, then slowly moved downwards, blood flowing from the wound. Xuebei let out a soft “uh” sound, then tilted her head back and straightened her body. Xuebei’s taut belly made it easier for Freegate to make the cut; the blade slowly extended, passing through Xuebei’s navel, then cutting through her lower abdomen, stopping above her navel. Freegate pulled out the knife and saw that Xuebei's belly had been completely cut open. The skin had split open to the sides, revealing a layer of milky-white fat on the outside and dark red muscle on the inside. The meat was incredibly tender, and bright red blood beads seeped from the cut, slowly growing larger and converging into streams that flowed gently down the flesh. Freegate thought the cut was quite clean. The upper abdomen was indeed completely open, revealing the edges of the liver and stomach. A thick section of intestine, like a mollusk, was slowly pushing outwards. Freegate knew that was a section of Xuebei's large intestine, scientifically known as the transverse colon. However, the lower abdomen hadn't been completely cut through. A pale yellow membrane covered with tiny blood vessels was visible. "This must be the greater omentum," Freegate thought. Through this greater omentum, he could vaguely see the small intestine wriggling inside. Without the support of the abdominal wall, the greater omentum was slowly bulging outwards. Freegotte raised his knife again, using the sharp tip to pierce the omentum. Suddenly, Shebe cried out, "Ah!" The omentum snapped open, spraying out tiny, pale yellow fat particles. Freegotte felt a warm, foul odor emanating from Shebe's abdomen. "I never thought such a beautiful girl's belly would smell so bad," Freegotte thought to himself. At the same time, he saw a slick, wriggling mass of intestines spill out of the incision in Shebe's lower abdomen. Freegotte finished the evisceration. He quickly stepped aside, and two Moshe warriors lifted the altar, bringing it together with the base of the sacrificial frame so that Shebe's protruding intestines would fall into the silver dish on the altar. The large wound in her abdomen caused Shebe excruciating pain; she gasped for breath, her forehead...Fine beads of sweat glistened on her forehead, and her two plump thighs trembled violently. Her back was off the sacrificial altar, her body arched, the stretching of her chest and abdomen narrowing the incision. A section of large intestine twisted into a "U" shape and a tangled bundle of small intestine, stained with bright red blood, hung on Xuebei's white belly, trembling slightly. "This is amazing!" Fly, filming the close-up, saw this scene in the viewing mirror and was overjoyed. Fly adjusted the camera angle and distance to capture the tiny blood vessels in the small intestine. At the same time, Fly heard the rumbling sounds coming from Xuebei's intestines. After an unknown amount of time, the intense pain seemed to subside; Xuebei felt a slight numbness in her abdomen, only a dull throbbing pain. She straightened up and glanced down at her stomach: oh, the intestines hadn't all spilled out yet; they were still hanging there. Remembering what Fly had said in the meeting, she paused slightly and swayed from side to side.
Xuebei's belly suddenly opened again, and a large clump of soft, slippery intestines rolled out, falling between her thighs below her abdomen. Part of the greater omentum was also brought out, its inner layer covered in pale yellow fat, hanging on either side of the incision in Xuebei's abdomen, swaying slightly. The tangled intestines began to separate under the force of gravity, tearing open the interintestinal membrane, slowly hanging downwards like ribbons of varying lengths. In the sunlight, one could see the contents inside the intestines—some deep, some shallow, some long, some short—food being digested within Xuebei's body. The falling intestines gradually approached the silver plate, finally landing on it. The intestines inside Xuebei's abdominal cavity continued to flow out slowly, but more of them were now covered in yellow fat. Fly knew that these were the intestines located in the pelvic cavity, a place where fat tends to accumulate; it seemed almost all of Xuebei's intestines had come out. Just as Fly was thinking this, a curved section of small intestine, carrying a large amount of fat, tumbled out of the body cavity and quickly fell onto the plate. The high-speed camera focused on Xuebei's intestines lying on the silver plate; the close-up of fly was finished. As the last piece of intestine turned inside out of her abdomen, Xuebei felt waves of icy cold air wash over her, spreading throughout her body. She couldn't help but look down, seeing her intestines piled up in the silver plate, slowly wriggling like a clump of fat worms. Beneath the huge incision in her abdomen, the large omentum, stained with yellow grease and red blood, swayed slightly. Xuebei felt nauseous, followed by dizziness, and felt incredibly thirsty. Medium and long shots captured the final scene. Only Xuebei remained on the altar; it was a poignant scene. Xuebei's face was ashen, her bloodless lips slightly parted, her eyes gazing unfocused into the distance. Her smooth abdomen was open, revealing the dark red cavity. Her stomach, slightly larger than a fist, was pulled out by the small intestine below, swaying gently in the air, the taut intestine leading to the silver plate beneath her. Similarly, at the bottom of her lower abdomen was another taut, fleshy large intestine, one end leading to the silver plate beneath her, the other extending deep into Xuebei's pelvic cavity. The silver plate was filled with Xuebei's intestines—tender small intestines and thick large intestines, piled haphazardly together, mixed with yellow fat and bright red blood plasma, the intestinal membrane reflecting a bright white sheen. How much it resembled a colorful feast! Yes! It was the sacred meal offered by Moshe's daughter to the mountain god; it was also Xuebei's youthful, vibrant body offered as a delicacy to a specific group of people in the world who drifted between reality and fantasy. First ending: After filming was completed, according to the meticulous arrangements of fly and others, Xuebei received timely medical treatment and was transferred to Hong Kong as scheduled, then flew to Australia. Under the careful treatment of foreign doctors, Xuebei, with her vigorous youthful vitality, survived the dangerous period of abdominal infection and intestinal adhesions and is gradually recovering. fly and others meticulously post-produced and processed the film. Two months later, the film, shot entirely on a live laparotomy and depicting a mysterious ancient kingdom, garnered international attention. Film distributors from Southeast Asia and Europe purchased screening and distribution rights. Flying Film Company profited immensely, not only paying off its debts but also gaining substantial profits and international recognition. Although it faced opposition from some human rights organizations, the opposition quickly subsided. Some foreign film distributors, moved by Xuebei's dedication to art, donated funds for her rehabilitation and scar removal treatments, and invited her to play roles as Eastern women in European and American film companies after her recovery. Second ending: After filming was completed, according to the meticulous arrangements of Fly and others, Xuebei received timely medical treatment and was scheduled to travel to Hong Kong and then to Australia. However, Xuebei continued to run a high fever, and large doses of antibiotics were ineffective, necessitating an exploratory laparotomy. On the operating table, Xuebei's abdominal cavity was opened again. Due to damage to part of the intestinal mucosa and bacterial infection, adhesions formed in some intestinal segments, leading to obstruction and necrosis. Xuebei's intestines were removed again. Doctors sterilized and flushed her abdominal cavity and intestines, and removed the necrotic segments. However, even the highly skilled foreign experts couldn't control Xuebei's condition. Xuebei's condition continued to deteriorate. Her abdominal cavity was opened again, and after necessary surgeries to treat her intestines and internal organs, it was discovered that ulcers had formed on her abdominal wall, making sutures impossible. Xuebei lay exposed, her internal organs laid bare, in a sterile operating room, her life sustained by intravenous fluids and blood transfusions. She grew increasingly weak, suffering daily in agony, sometimes conscious, sometimes unconscious. The once beautiful young woman withered away. On August 17th, eleven days after filming the "human sacrifice," Xuebei's intestines suffered extensive adhesions, obstruction, and necrosis. Pus appeared in her abdominal cavity, and the severe infection had spread to her chest cavity and bloodstream, causing septicemia. Despite the best efforts of the specialists, they could not save her young life. That day, Xuebei, tormented by pain, died on the operating table. Fly and his team meticulously processed and edited the film. Two months later, this film, shot using live cesarean sections and depicting a mysterious ancient kingdom, garnered international attention, with distributors from Southeast Asia and Europe purchasing screening and distribution rights. Fly Film Company achieved enormous profits, not only paying off its debts but also reaping substantial gains. However, the film also faced opposition from some human rights organizations, who sent agents to search for the lead actress, ultimately abandoning the project without success. After her death, Xuebei was buried in a Chinese cemetery in Australia, resting eternally in a beautiful foreign land. Fly and his core team dissolved Fly Film Company, moved to Australia, and established a Chinese cultural communication company. They wanted to spend their lives with Xuebei, the little sister they admired and loved.
A third, unforeseen ending occurred. The filming location and the pervasive smell of blood attracted Himalayan vultures, highly sensitive birds of prey living at high altitudes in western China. They flew to the location, lurking in the dense fir trees, waiting for the perfect moment to pounce on their prey. Fly and the others, focused on filming, were completely unaware of what was happening around them. When only Xuebei remained on the altar, and the camera was about to capture the final shot, dozens of vultures swarmed towards the altar. Fly and the others were stunned by what they saw. They immediately understood that they couldn't stop this tragedy; the only thing they could do was record Xuebei's final moments on camera. The ferocious vultures swooped down on the silver platter on the altar, and on Xuebei on the sacrificial frame. A horrific scene unfolded: some vultures fought over and devoured the fresh intestines within the silver platter; others plunged their talons into Xuebei's open abdomen, tearing out her liver, gallbladder, spleen, stomach, and other internal organs; still others flew to Xuebei, pecking at her face and smooth body. Xuebei let out a piercing scream and a painful wail, several jets of bright red blood gushing from her abdomen, a crimson mist appearing on the altar… When the last vulture flew away from the altar, Fly, Freegate, and the others returned to Xuebei's side, but she had already left this world forever. Gazing at her mangled, gruesome body, even these strong men couldn't help but shed tears. They buried Xuebei in this fairytale-like mountain valley, quickly dismantled the altar, and left Lijiang, left Yunnan. Fly and the others meticulously post-produced and processed the film they had shot, dividing it into two different versions and distributing them overseas through secret international channels. Two months later, the film, shot using live evisceration to depict mysterious ancient Chinese folk customs, caused a sensation internationally. Film distributors from Southeast Asia and Europe and America rushed to purchase screening and distribution rights. Flying Film Company reaped huge profits, not only paying off its debts but also making substantial gains. However, the scene of the female lead's gruesome death in the film sparked outrage and calls for the capture of the real killer. Interpol, in conjunction with international human rights organizations, launched an investigation. Fortunately, Fly had already dissolved Flying Film Company and laid off its employees before the investigation began. Fly and his core members vanished without a trace. It is said that someone saw them in a neutral country in Northern Europe. It is also said that they secretly returned to the mountain valley, exhumed Xuebei's remains, and, with the help of international friends, secretly smuggled them out of the country. They were all men of great loyalty and affection; they wouldn't let Xuebei sleep alone in the mountains. They wanted to stay with her for life, to wander the world with this little sister who had sacrificed herself for them. [Last edited by Emperor Evil] Recent rating record for this post:
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