Opening ceremony of the Azteria Games

Author: 33 Degrees Word Count: 16,000
"Good evening, everyone. This is the live broadcast of the 10th Aztec Games. It's 21:52 tonight, and in 8 minutes, the opening ceremony of this Games will begin. I'm Xiaoguo, the host from CCTV Ice Show Channel. I will be providing full commentary on the opening ceremony from our studio 1 and our special commentator Earthengine at the front-line press station."
The female host on the 3D screen had a beautiful oval face, arched eyebrows, and large, bright eyes that radiated youthful energy. Combined with her fair skin and a straight, high, yet playful nose, she was truly a picture of delicate beauty and charm.
"When the opening ceremony begins, our cameras will switch to dedicated studio 2 in the main venue and connect with reporters in the audience, the preparation hall for the performances, and the lounges of the participating teams. We want to ensure everyone has a comprehensive and detailed understanding of the event's progress and behind-the-scenes stories. To broadcast the opening ceremony, the host countries' television stations have set up over 2,000 high-precision cameras and audio equipment in the main venue, along with more than 5,000 medium-resolution or higher mobile transmission devices.
Our live broadcast also supports digital control, so while watching the opening ceremony and the competitions in the coming days, you can view the footage from the main camera selected for you by our experienced directors on the big screen. You can also press the control buttons on your TV or other receiving devices to switch between signals from various connected cameras at different angles, choosing your preferred angle to watch the event live at any time."
"However, we'd like to remind you that although the Aztec Games are one of the most important multi-sport events internationally, due to laws, regulations, local traditions, and other reasons, most of our events are classified as high-level programs. Please ensure you are of legal age.
Also, please note that all live and rebroadcast programs of this Games are pay-per-view, and some major competitions are even available on a pay-per-view basis. Please be mindful of your digital TV balance while watching to avoid any unpleasant issues due to unpaid bills." "
Now, please switch the signal to Earthen Gine at the front-line press station. Let's look forward to the start of this Games!"
"Good morning, everyone. As you all know, the main venue for this tournament is located in Dongdu City, and today our opening ceremony will be held at the Dongdu Stadium, which has just undergone a large-scale renovation.
Before the War of the Nation, this was Dongdu City's largest and newest track and field stadium. However, because it is clear that the Aztec Games and the Olympic Games have significant differences in their event setups, a large-scale reconstruction was carried out on the original stadium, resulting in the main venue we see today."
"Ladies and gentlemen, now, as you follow our camera, you should be able to see the stands of the huge stadium, which can accommodate 150,000 spectators, dotted with glow sticks. These are spectators holding glow sticks, looking for their seats or already seated. Apart from the glowing stands, the entire stadium is completely dark.
Because of the tradition of the Aztec Games, the lighting of the torch is seen as a ceremony to welcome the sun." Therefore, all activities before the lighting of the torch, including cultural performances, will not have the main lighting turned on in the main hall. As a result, the torch platform, which just underwent its latest renovation this year, is currently completely shrouded in darkness. Because the renovation process was conducted in secrecy, and the audience only entered the venue as it was already getting dark, no one except the designers and workers who participated in the renovation knows what the design of this year's torch platform and the renovated main stage looks like.
This secret will be revealed during the opening ceremony of the conference. "
Ladies and gentlemen, it is now 10 PM. You can see a panoramic view of the entire venue through our camera number one. The entire venue is now completely dark, and the opening ceremony of this conference is about to begin."
"Now, in the darkness, a dark, blood-red light shines from every corner of the venue towards the center, completely staining the track and field area in the middle of the venue the color of congealed blood. At the same time, mournful songs begin to emanate from all corners of the venue, signifying that the Shijima Military District, after the Sino-Japanese War, was a scene of bloodshed everywhere, with many families losing loved ones, and an inescapable sorrow permeating the entire country at that time." "
However, those of you familiar with history should know that the actual number of casualties in the Sino-Japanese War was not very high. According to postwar statistics, the population of the entire Shijima Military District decreased by less than 5% during the war. However, the largest suicide wave in a century occurred after the war, which caused the population of the Shijima Military District to drop to 65% of its pre-war level. Moreover, due to some emerging post-war policies and customs, the population of the Shijima Military District experienced significant growth in the following decades. However, these historical and cultural issues are not what we will discuss in detail here."
"Attention, everyone! A bright spot has appeared in the center of the hall – light streaming through the skylight of the elevator in the middle of the hall.
As the light intensifies, a completely transparent platform emitting a soft white glow appears within the skylight. On the platform sits a young girl dressed in the traditional pure white shrine maiden attire of the four islands, singing a famous requiem in a clear, childlike voice." "
This segment is meant to represent the people of the four islands' reflection on war, with the girl comforting and praying for those who died in the war.
Today, the shrine maiden playing this role in this hall is Shizumi Yamatai."
"Yamatai Shizumi is sixteen years old this year. She was selected in a secret selection process that began two months before the opening of the event.
At that time, more than 1,000 16-year-old girls from the four island regions, the host, participated in the selection. Although the specific arrangements of the event were kept secret at the time, being able to participate in the opening ceremony of the Aztec Games, the highest gathering of ice show sports in the world, and as the core of the performance at the opening ceremony, is a great honor for the four island regions, where ice show culture is already very popular among young people. Therefore, the selection process was extremely fierce and rigorous." "
Ladies and gentlemen, the voice we are hearing now is being played through a microphone installed in the decoration on Yamatai Shizumi's body. It is the most authentic voice of this 16-year-old girl.
Moreover, based on our impressions of the opening ceremonies of previous events, as the lead performer at the opening ceremony, there will be quite a few high-level dance performances.
Because these performances at the opening ceremony of the event must be performed by the performers themselves, the selection process not only had requirements for the girls' figure and appearance, but also required a talent competition."
"The Yamatai Shizumi we see today is actually a shrine maiden in real life. She was an orphan adopted by an orphanage in Higashi City and later sent to the Retribution Shrine in Chiyoda Ward, where she became one of the shrine maidens. In addition to attending school normally with other children her age, she was also responsible for singing religious songs and performing dances at various shrine festivals and fundraising events. Therefore, when Yamatai Shizumi performed the audition song and dance prepared for the opening ceremony, she was truly amazing.
Moreover, she has a model-like figure and a very attractive, mature appearance, so she ultimately won the competition."
"However, even after the organizers announced the lead actress's name and explained that her role was a traditional shrine maiden, many people from the four islands still objected, believing that Shizumi Ikema, the girl who changed her name to Shizumi Yamatai for the role, had a distinctly mixed-race appearance and was not suitable for playing a traditional shrine maiden. However, with the support of a large number of fans online and the support of the organizer's director, it was ultimately decided that she would play the role." "
Now the lights in the venue have dimmed a little, and Shizumi's singing has become more sorrowful. Those who understand the lyrics should know that the lyrics have changed from comforting the spirits to a pessimism about life, and the shrine maiden, as the main character, has begun to lose faith in life. As the singing continues, the main venue becomes darker and darker, and now you can see that only one spotlight is shining on the girl's position. Otherwise, the main venue is completely dark, and the singing has turned into a low sob."
"A glimmer of light appeared at the eastern entrance of the venue, illuminating the entire eastern entrance passage. It grew brighter and brighter—ah, that was the torch of the Games! Ladies and gentlemen, you can now see a figure dressed in the robes of a high priest from the vanished Aztec civilization, wearing a pure gold sacrificial mask from the Aztec Temple of the Sun, seated in a golden chariot pulled by four young girls acting as horses. He holds aloft a golden staff, burning with fire collected from the ancient Aztec city in Mexico, and appears at the entrance of the venue." "
The chariot slowly entered the venue, heading towards the weeping priestess, circling her gently. The girl noticed the high priestess's arrival, stopped crying, reached out her hand in a pleading gesture, and began to sing, expressing her questions about life." "
Now the camera switches to a close-up, and we can clearly see through the camera the genuine tears and sorrowful expression on the face of Shizumi Ikema, who plays the Yamatai priestess. This sixteen-year-old girl..." " It's simply an absolute 100% perfect portrayal of the character. From his expressions to his postures, every detail is flawless.
If this weren't a performance but a film, it would definitely win an Oscar."
"Accompanied by somber music, we see the actor playing the Aztec High Priest rise and begin to perform a kind of dance with graceful movements.
He first extends his hand to invite the priestess, Shizumi Yamatai, onto his golden chariot, then makes a horizontal circle with his left hand."
"Ladies and gentlemen, as you can see, with the High Priest's gesture, the music stops. The hall lights converge around the High Priest and the priestess, then slowly spread, illuminating a large area in the center of the hall, and the illuminated area continues to expand.
The two figures previously under the spotlight slowly move from the darkness to the edge of the space. Now, the High Priest and the priestess..."
"In the illuminated area, we can see the ground is a deep black. As the camera zooms in..." "As you can see, this is actually made up of as many as 16,000 actors in the middle of the venue, all in black.
We can tell that this black area is made up of full-body leotards worn by the actors. From the bodies tightly wrapped in the clothes, we can tell that most of these actors are male, but there are also some females." "
Now we see a bright spot appearing in the air above the venue, a ball of orange-red light. In the ball of light appears a female figure wearing a gorgeous but soft long dress made of silk. As the music gradually resumes, this female figure circles and dances around the venue. Her body is mainly orange-yellow, with patterns and decorations in pale yellow, gold, bright red, and light yellow like flames. As Pan selects her, she unfolds with the wind blowing against her body, and the actress also opens her arms, her long sleeves fully extended. She is a firebird, a symbol of the ruler of life in ancient Latin American mythology."
"Now the camera zooms in to show a close-up of the actress playing the Firebird. Do you, viewers, look familiar?
Yes, the Firebird is played by the renowned dancer Xiao Wen, who is xx years old. Ms. Xiao Wen is not only one of the most famous folk dance performers in China, but she is also the honorary chairperson of a very famous ice skating enthusiasts association. In previous ice skating shows, she has repeatedly expressed her desire to have an opportunity to fulfill her passion for ice skating, hoping to end her life in a beautiful and glamorous way, while still possessing a young and beautiful body. Now, seeing her invited to play such an important role at this Aztec Congress, perhaps this is the opportunity she has been searching for?" "
The somber music continues to play. Xiao Wen, transformed into the Firebird, has landed on the circular platform in the center of the arena. The steel wire used for suspension has somehow detached from her. Now she is slowly rotating her body on the platform. We can see her graceful figure, a result of years of dance practice..." Ms. Xiao Wen's physique is slender yet full of explosive power. In this close-up shot, you can see the muscles surging beneath her fair skin on her abdomen, which isn't covered by the flame color, conveying a sense of strength. I imagine such a physique must make many women watching on television extremely envious.
Now we see Ms. Xiao Wen performing her most classic Phoenix Dance. Because some online friends mentioned that Ms. Xiao Wen uses her stage name Xiao Wen during performances, I will refer to her as Xiao Wen in the following narration. I hope Xiao Wen won't mind the previous mistake.”
“Xiao Wen is now using gentle dance movements to vividly portray the phoenix, or firebird, with a melancholic air. We can clearly feel this emotion in her movements. The Phoenix Dance is an improvement on the Peacock Dance by the legendary dancer Yang Liping, who was active on the dance stage at the beginning of the century. It incorporates more fiery and passionate details, and is Xiao Wen's signature piece that brought her fame in dance competitions.”
"The dance you are watching is nearing its end. The firebird mourns the scorched earth. At this moment, a dark and eerie melody appears in the music. We see another platform rising from the blackness in the center of the arena, and on the platform is a pure black mass. Now, the blackness suddenly unfolds, revealing a humanoid figure wearing a black robe and a skull mask. His hands and feet are decorated with white bone fragments. This should be the Grim Reaper, symbolizing death." "
According to the information provided by the organizers, the actor playing the Grim Reaper is also a famous dancer, the world-renowned young Chinese-American dancer Mei Shijia. He is also a famous swordsman, having achieved a fourth-dan qualification in Kendo, which gives his dance a unique sense of power."
"Now we see two platforms closing in on each other, and two dancers communicating through dance. Although there are no lyrics, through the coordination of their dances and the subtle music, we can sense that the two deities symbolizing life and death are arguing about something. Firebird accuses Death of cruelty and selfishness, while Death mocks Firebird's naiveté. We can see from their movements that Death seems to be making a deal: if Firebird is willing to give up her life, he can restore life to this place, and forever."
"Firebird hesitates, but finally she makes a decision. We see the two platforms merge together. Xiaowen, playing Firebird, dances around Mei Shijia, playing Death, a few times before kneeling in front of him." "
At this moment, several flashing arcs of electricity illuminate the venue from the ceiling, and the thunder from the speakers is deafening. In the flashes of light, a huge, gleaming scythe descends from the sky and slowly falls into Death's hand."
"Death is having a final exchange with Firebird, who seems determined to exchange her life for the life of the world."
"Now Death has raised its scythe, and the music in the stadium has reached its climax, with the thunder and the heart-stirring drumbeats growing ever more intense."
"Now we see a close-up of Xiaowen, who plays the Firebird. She is kneeling on the field in a very graceful posture, with a very peaceful expression on her face. From this side shot, we can see that as a famous dancer, Xiaowen's neck has a very special beauty in this posture; it is not only long but also has a beautiful curve that complements her body."
"He swung his scythe, and the scythe with lightning-fast effects slashed across Xiaowen's neck. We saw images from different angles from multiple cameras on site: Xiaowen's head was severed in one blow, and bright red blood instantly stained half of the platform. Her headless body was still swaying slightly, but she didn't fall.
At this moment, Xiaowen's head flew up from the ground and landed in the hands of Mei Shijia, who was playing the Grim Reaper. I believe there must be some kind of wire-like connection between them to create this effect. Oh, indeed, now through close-up shots we can see a wire in Xiaowen's hair that is connected to Mei Shijia's hand, so when Xiaowen's head was severed, it didn't roll too far and was able to fly into Mei Shijia's hand out of thin air." "
Xiaowen's face was still peaceful at this moment, and there wasn't a trace of blood. It is said that before the performance, Xiaowen's entire body was coated with a special non-stick paint to ensure that she wouldn't get covered in blood during the performance, especially on her face."
"Now let's replay the scene of Xiaowen's decapitation. We can see how precise and skilled Mei Shijia's movements were. Before the performance at the event, Mei Shijia, who was already proficient in swordsmanship, underwent two months of intensive practice to ensure he could smoothly use the relatively uncommon scythe as a decapitation tool. It is said that he used more than 1,000 straw targets alone. During the rehearsals for the official performance, three volunteers volunteered to practice, solving some problems that had not been anticipated beforehand, which led to that beautiful strike. Now we see in slow motion that as the blade flashes, Xiaowen's head flies off at a very gentle angle amidst the impact of the blade and the gushing blood. This shot can truly be called one of the best shots in the history of ice shows.
In fact, Ms. Xiaowen has many fans among ice show enthusiasts, and I believe that her graceful sacrifice this time will satisfy many fans. However, those who are not ice show enthusiasts may be a little disappointed, because this is Xiaowen's truly last performance."
"Death on the platform seemed moved by this sacrifice. We see him holding the severed head of the Firebird, seemingly trying to say something. Now, Death slowly ascends, forcefully throwing his gleaming scythe onto Xiaowen's headless body. Dozens of red beams of light gather in the pool of Xiaowen's blood on the platform, then suddenly disperse, illuminating the entire performance area in the center of the venue. This likely signifies that the Firebird's blood has nourished the scorched earth." "
Now, green appears among the actors in black costumes in the venue. These green figures are also played by actors." "
Now, the green-bodied actors in the center of the venue stand up. Compared to the black-clad actors, there seem to be fewer of them, but their bodies are more ornately decorated." "
With our close-up shot, we can clearly see that the green section in the center of the venue consists entirely of female actors with full-body body paint in green.
These actresses are covered in emerald green paint, their hair is dyed green, and they wear long, green skirts resembling grass skirts."
"Now the music on stage is even more cheerful, and the green-clad actresses begin to twirl to the melody. Their green skirts unfurl as they spin, and with the movements of their arms, they resemble vibrant plants on the earth. The music becomes even more lively, and we can hear birds and insects chirping in the background. The once scorched earth has become full of life. Our director even gives a close-up shot, allowing us to see the joyful expression on one of the performers' faces, but the camera is a bit low, and the center of the field of vision seems to be focused on the swaying breasts of the actresses as they dance." "
But this doesn't last long. Now the roar of machinery appears, and many huge lawnmowers pushed by people appear on both sides of the stage.
These lawnmowers are just frames; they are actually pushed by many actors. The blades on the lawnmowers are not real blades, but rather the actors holding long blades."
"As the lawnmower entered the venue, the actresses playing the grass stopped dancing, waiting to be decapitated as the lawnmower passed by.
Most of these actresses playing the grass were volunteers over the age of thirty. They were among the first generation to embrace the ice show culture after the war. In their view, this way of dedicating themselves to the event was a way to escape the mundane and busy life of a housewife, a kind of spiritual sublimation.
Many of them were mothers of multiple children. The birth rate in the four islands was very high after the war, and a woman in her thirties might have four, five, or even more children. Moreover, due to the gender imbalance caused by certain policies, many of these women had only given birth to a few daughters in marriages that could last for ten years.
These women who did not give birth to sons also faced great pressure in their families. The gender imbalance made many traditional families place even greater emphasis on having a male descendant to inherit the family business."
"The actors playing the grass were remarkably calm when facing the long swords. Their postures were precise, and as the swords swung, their heads were severed and collected into the harvester. Their corpses were kept in a half-kneeling position with the help of actors in black bodysuits around them.
These sword-wielding actors were incredibly skilled and synchronized; they were special forces soldiers from various units stationed on the four islands. Only these soldiers could possess such physical prowess and perfect coordination." "
The scene was truly spectacular. There were as many as 4,000 actors playing the grass, and in less than five minutes, four thousand heads were severed by the swords, leaving a vast expanse of headless corpses spraying red blood into the sky in the center of the arena. Whatever the initial color of the arena, it is now undoubtedly completely stained a deep red."
"The lawnmower left the field, and the bodies of the 4,000 headless volunteers were gradually laid flat.
Now, the actors, who were originally wearing black bodysuits, were all covered in blood, and the earth was once again deathly silent."
Section Three
: "Death descended from the sky again, but this time, instead of a scythe flashing with electricity, he held the head of the firebird, played by Xiaowen, which he had previously severed. Now, countless points of light rained down from the head, perhaps symbolizing the firebird's burning life force, or perhaps tears of compassion." "
As these points of light fell, four more platforms rose in the center of the field. On each platform was a stainless steel pillar, around which stood many actresses in silver bodysuits. These actresses looked much younger than the actress who had played Xiaocao, around twenty years old. Their bodysuits were very distinctive; only their necks, arms, legs, and sides were covered, while their fronts, from their collarbones down to their groins and their entire backs, were completely exposed."
"These performers are students from various dance and gymnastics academies in the four islands region, totaling 80. There are now 20 performers on each lift, standing in a circle with their backs to the metal pillars on the lift." "
Now the metal pillars on the lift have split apart, each very thick metal pillar has been divided into 20 much thinner metal cylinders, somewhat like the poles used for pole dancing."
"Now the performers on the platform begin their dance—oh, it really is pole dancing!
Watching these young actresses perform pole dancing in tight-fitting outfits that almost completely expose their bodies is incredibly stimulating.
Of course, such performances aren't exactly rare at the Ice Show." "
Now the pole bends outwards at the very top, and a silver noose hangs from the tip of the bend. The performers' movements have changed, noticeably different from the previous pole dancing."
Close-up shots show the actresses gripping the noose with one hand, pressing their bodies against the pole, and squeezing it between their thighs, making various seductive gestures.
The actresses' genitals are clearly shaved, their smooth genitals rubbing against the pole; sometimes the pole slightly brushes against their labia, causing them to flip open and reveal the pinkish area inside.
The music gradually intensified, and the dancers' movements became more vigorous. As a captivating harmony began, the actresses reached around their necks and slowly squatted down, their backs to the metal bar. They clasped their hands behind their backs, slightly parting their thighs to expose their private parts to the audience.
The metal bar then began to rise, pulling the actresses' bodies up little by little with the noose. This time, however, they did not stand up; instead, they remained kneeling, their hands and feet together behind their backs as the noose lifted them off the ground.
"Ladies and gentlemen," the voice announced, "we are now switching to a shot from the center of the stage. In this shot, we can see close-ups of the actresses' hands and feet.
Special metal rings are attached to the wrists and ankles of these costumes. By touching these rings at specific points, they connect.
So now we see that the actresses' limbs are secured behind their backs. Ah, the metal bar is starting to descend again. Now these actresses can use their knees to support their bodies on the surface of the platform."
At this moment, the platform began to slowly rotate, faster and faster. It became increasingly difficult for the actresses on stage to support themselves with their knees.
Next, the metal rod rose a little higher, and the actors' bodies detached from the surface of the lifting platform. Driven by the rotating platform, they were flung away by centrifugal force, forming a silver ring around the platform.
"Ladies and gentlemen, a special camera mounted on a boom arm is now sending a close-up shot, focused on an actress being suspended by a noose. From her facial expression, we can see she's experiencing the most painful stage of the suspension. We can see the relaxed expression of pleasure alternating with the pain from suffocation and the strain on her neck.
Wait, it looks like she suddenly spasms. Now her expression is completely relaxed." "
Now the camera switches back to a wide shot. We can see shimmering liquid being sprayed around the actresses suspended between their spread legs as they rotate. They must have just lost control of their bladder. Each of the lifts on stage rotates, causing up to twenty actresses around it to rotate and spray liquid in all directions. The light left by the spray and the reflections on the actresses create the illusion of a giant lawn sprinkler.
It's truly remarkable that up to 80 actresses on four lifts could lose control of their bladders simultaneously."
The water curtains formed by the liquid flowing from the actresses' bodies on the stage don't last long. However, the fluids flowing from their bodies were shimmering, forming beautiful streaks of light in the darkness.
"Wait a minute, the conference materials have arrived. Ladies and gentlemen, the performers who participated in today's water screen performance underwent special preparations. Half an hour before the performance, they replenished their fluids by drinking a special beverage, resulting in a large accumulation of urine in their bladders during the performance.
Additionally, a certain dose of a special fluorescent agent was injected into their bladders before the performance began. This agent dissolves in the urine and emits a beautiful flash upon contact with oxygen when it is expelled." "
And the slight spasms we just saw in the performers were actually caused by electric shocks via a noose. This allows the performers to enter the spasms simultaneously and in perfect unison.
While this creates the most spectacular effect, it's regrettable that the volunteers participating in the performance cannot fully enjoy the exhilarating feeling before the finale.
It's undeniably a pity."
"After the rain was sprinkled, we saw the platform slowly stop rotating and descend back below the ground. On the ground, tiny green shoots appeared, now clearly visible through close-up shots. These green shoots were girls in light green bodysuits, interspersed among the actors in black bodysuits. These girls appeared to be around fourteen or fifteen years old. According to the organizers, they were junior high school students from Dongdu City, totaling over 6,000. They danced the same dance as the actresses who played plants in the previous performance, gradually rising among the actors in black bodysuits. This symbolized the earth, after being damaged, gradually regaining its vitality after being watered. What a symbolic dance!"
"Now, a very clear and melodious song echoed through the venue—a chorus of the more than 6,000 girls present. As this beautiful song played, the lights in the center of the venue gradually dimmed, and the light once again focused on one side of the venue. The two main characters we had overlooked in the previous dance were now standing near what should be the torch platform of the event."
"As the camera shifts, we can now see dim lighting in the center of the venue. The performers have all left, but the bloodstains left from the mowing process remain, making the ground blood-red, very similar to the blood-red effect created by the lighting at the beginning of the performance. The grand performance seems like just a dream." "Now the camera
shifts back to our two main characters, the High Priest and the Priestess. They are now on a rising platform at the edge of the arena. The golden carriage pulled by the four actresses has disappeared, leaving only the two of them performing under the spotlight. The High Priestess seems to be giving the Priestess guidance, pointing out the balance of life, that only through sacrifice can there be rebirth—the eternal theme of the Aztec Assembly, as we know it—all sacrifices are offerings to welcome the world's rebirth." "
Now the Priestess, Shizumi Yamatai, stands up and begins to respond to the High Priestess with her soothing dance. Clearly, the Priestess has decided to dedicate her life to healing the war-ravaged land.
The Priestess's dance has a very distinctive style; it must be a traditional dance of the Four Islands region. Oh..." "No, as the rhythm of the music changes, we can feel the style of the dance changing. From the originally slow and gentle rhythm of the traditional dance of the four islands, it gradually becomes a more upbeat dance with music combined with Aztec melodies. The movements also become more open, and it looks a bit like samba." "
The priestess who has decided to dedicate herself seems to want to ask the high priest for something. This dance is different from the more cheerful one before. I think the audience can feel a lot of the hidden meaning in this dance."
The priestess on the rising platform is half-kneeling in front of the high priest. She is now gently stroking the high priest's body, which is painted with colorful patterns. Her fingers trace over the high priest's well-defined pectoral and abdominal muscles, and finally vaguely point to the part of the high priest's crotch that is covered by a special leather skirt.
The high priest responded to this simple, primal invitation, holding his staff, still burning with sacred fire, behind him, and began to dance with the priestess.
The two on the platform began to dance with the gestures and expressions of lovers, sometimes holding hands and embracing;
sometimes separating, but their outstretched arms conveying a tender affection.
Then, a small, square platform rose before the high priest and priestess, finally stopping at about waist height. Its originally milky-white, luminous surface gradually dimmed, revealing stone-carved patterns and the pale yellow color of the stone used to build the pyramids.
The center of the small platform was slightly raised, and the patterns around it bore distinct Aztec characteristics, clearly indicating the design of an Aztec altar.
In the fourth section,
Yamatai Shizumi, her back to the altar, gently swayed her body, continuing her dance in coordination with the high priest. She loosened her sash, letting her snow-white priestess robes slip down her body until her buttocks were against the altar, fully revealing her beautiful, snow-white form.
This girl of mixed heritage possessed the long legs and shapely buttocks common to Caucasians, along with the delicate skin and straight, flowing black hair typical of Asians.
Under the spotlight, her entire body shone with dazzling white, like a goddess descended to earth. Although she possessed a more mature appearance, she still retained the body of a young girl, her breasts only two small, snow-white mounds, exuding a youthful beauty.
However, this goddess's divine function was undoubtedly seduction or desire, for Yamatai Shizumi was now slowly swaying her body in a highly seductive pose, lifting her buttocks onto the altar, while simultaneously lifting her long hair and gently opening her legs towards the high priest, revealing her alluring private parts.
"Ladies and gentlemen, the director is now showing footage shot from below by several cameras located on the ground in the venue. If you are more interested in the details of this beautiful shot, you can use the camera signal adjustment function on the remote control to switch to some close-up cameras for a closer look. However, please note that this program is restricted. When adjusting the signal, please ensure that there are no minors around to avoid violating the law." "
Ladies and gentlemen, the director has now switched to a wide shot. You can see that as the High Priest and the Priestess prepare to make love, four different colored lights appear in the four corners of the venue. These lights fly towards the platform where the High Priest and the Priestess are located.
Through the close-up shot, we can clearly see that these four lights are actually four people dressed in traditional Aztec clothing, but their paint and masks are different from the High Priest's. Judging from the colors of their clothing and paint, they likely represent the four elements that constitute the world."
"Now, the four priests representing the four elements have also flown onto the platform. They stand at the four corners of the altar, each performing a dance representing their element.
In the center of the platform, the priestess already seated on the altar and the high priest in front of her are gradually rising, now about thirty centimeters higher than the surrounding area."
On the platform, Yamatai Shizumi wrapped her arms around the high priest in front of her, gently kissing him. The high priest, on the other hand, wrapped one arm around the girl's waist, while the other hand reached down to his crotch, adjusting his erection and slowly probing into the girl's genitals. The music in the venue became passionate and fiery. The couple on the platform, the focus of everyone's attention, finally pressed their bodies together completely. The high priest moved rhythmically on the girl, who was lying on her back on the altar, while the girl occasionally straightened her body, rhythmically and elegantly tossing her long black hair.
A close-up shot focused on the point where a man and woman, their passion melting into each other, met. The high priest's abode, adorned with classical Aztec patterns, moved in and out between the priestess's snow-white thighs, causing her delicate, pale pink labia to flip in and out, a viscous fluid seeping from the crevice.
"Ladies and gentlemen, please pay attention to the scene appearing in this close-up shot. If we pause for a moment, we can see that beneath the high priest's penis, there is actually a tube fixed to it.
We speculate that this is some kind of special device set up for the event, possibly related to some part of the upcoming performance."
The music reached its climax, the drumbeats growing louder and louder, seemingly vibrating the hearts of the entire audience and performers. The rhythm of the drums also unconsciously quickened, as if urging the already scheduled ritual to begin quickly. Yamatai Shizumi stretched out her limbs on the altar, seemingly having achieved some kind of satisfaction. At this moment, the girl fully opened her body on the altar, her arms and legs outstretched to the four corners. The four priests around her turned to face her, pressing down on her wrists and ankles. Clamping patterns of shackles appeared on the altar to immobilize her limbs.
The high priest did not separate from the priestess; remaining in his inserted position, he pulled the still-burning sacred fire staff from the ground behind him.
He raised the golden staff high, and from the shallow, dish-shaped fire plate at its tip, a golden blade slowly emerged. Simultaneously, the flames in the plate began to gather and form a flaming blade enveloping the edge. The high priest grasped the tip of the staff, attempting to remove the flaming blade. The flipped artifact, burning with astonishing heat, was pointed like a dagger at the priestess waiting on the altar.
The drumbeats grew increasingly intense. The high priest pressed his left hand against the girl's chest, seemingly to determine the point of the cut, or perhaps to soothe the terrified sacrifice.
Suddenly, it stopped. At that moment, the high priest plunged the flaming blade into the girl's chest. The flames and the blade effortlessly separated the girl's skin and bone. The tip of the staff went all the way in, then moved up and down along the girl's midline until it created a wound that completely separated the sternum.
As the blade pierced her tender body, Yamatai Shizumi violently straightened her body. In the close-up shot, one could see the pain and fear on the girl's face, though it lasted only a few seconds, but was unmistakably real, followed by a fleeting moment of relief and satisfaction. Then, the girl's body, which had been struggling—whether real or feigned—ceased to rest, and she lay limply on the altar.
At that moment, as the high priest's hand cleaved the girl's chest in two, a burst of brilliant fire erupted from the wound. The high priest reached out and took this ball of life-giving fire, ignited by the divine fire at the tip of his staff, from the girl's chest. He held it high in his hands, and all the lights in the entire arena dimmed once more. Only the ball of gleaming flame in the high priest's hand seemed like a star plucked from the sky.
"Ladies and gentlemen, what we just witnessed was the most authentic Aztec tradition of sun sacrifice. It's worth mentioning that our High Priest, Anuka Corola Montezuma XVI, is a direct descendant of Montezuma II, the most famous king in Aztec history.
Anuka is twenty-nine years old, and as a young man not yet thirty, his experience is remarkably rich. He is a successful businessman who, after inheriting his father's company, successfully increased its market value to 1.6 billion. Previously, he served in an international anti-drug special forces unit. He is also a black belt holder in three different martial arts disciplines and a renowned dancer. Because of these rich experiences, he was able to portray the High Priest role so vividly and accurately, a role he inherited from his bloodline. So let's applaud this true High Priest to express our gratitude, and also thank the shrine maiden Shizumi Ikema for giving her life in the performance."
In the fifth section,
the high priest on the rising platform held aloft the flame taken from the chest of the beautiful Yamatai priestess in his left hand, turning it left and right so that the entire audience could clearly see the blazing fire burning in his hand. At this moment, the four priests representing the four elements released the limbs of the deceased witch and surrounded the high priest. Each of them took out a transparent, hollowed-out petal from their bodies and carefully lowered it. The petals in their hands gathered in the high priest's lowered hand, piecing them together to envelop the blazing sacred fire, forming a sphere that shone like a star.
The light shifted slightly, focusing on a spot behind the rising platform, near the base of a tower-like structure in the darkness.
There, gleaming golden in the light, was a scale. On the walls above the two pans of the scale were exquisitely carved patterns: one side depicted a heart held in two hands, and the other a skull pierced by a dagger.
"Ladies and gentlemen, what you are seeing now is an important symbol of the Aztec Assembly, imbued with modern meaning. On either side of the platform are carved a pattern, symbolizing glorious sacrifice and punishment for sin. Sacrifice and punishment are the two main activities of the Assembly."
The High Priest, with a calm and solemn posture, placed a glittering star in his hand on the tray symbolizing sacrifice.
"Now, the side of sacrifice already has the sacred fire of the priestesses; what will be offered on the side of punishment for sin?"
"Oh, ladies and gentlemen, now you see another large platform rising in the center of the arena. This platform is much larger than the previous ones. On the platform are five women dressed in pure white wufu and one samurai. Well, through the close-up, you can see that the samurai is also a woman."
"The platform is now moving towards the High Priest's location, and the two will soon converge. As the camera zooms in, we can now see the faces of the five women in white. We also see the information sent by the conference. The woman walking in the middle of the five women is Princess Kiku Ryoko, formerly of the Shishima Imperial Family.
Kiku Ryoko is the older sister of the current head of the Kikuka Imperial Family, formerly known as Princess Kikutoku Hiroro, and is 41 years old. She has eleven children, eight of whom are daughters. Her eldest daughter is 20 years old and has just received the title of Princess Aki. The four women around her are also women from the Kikuka family: 33-year-old Yoko, 35-year-old Shiro, 29-year-old Hanako, and 34-year-old Rosa Camille. The woman dressed in samurai attire is 33-year-old Tsukahara Mieko."
"Kiku Ryoko has now reached the platform. She turns to face the audience and begins her speech.
As the host, she extends a warm welcome to ice show enthusiasts from around the world. As we can see, after her welcoming remarks, many entrance doors open around the venue, and representatives from various participating teams and volunteers enter the venue from the surrounding entrances, standing loosely on the track. This is a unique aspect of the Aztec Games, because many competitions have a large number of participants, and volunteers and enthusiasts are important participants in the Games, but they do not belong to any particular team. Therefore, the opening ceremony does not introduce participants one by one according to their teams. Furthermore, participating teams are not necessarily representatives of a particular country or region; they may also be representatives of a company or private group. For example, the renowned high-end food company, Xihai Company, sent a team of over 300 people this year, not including other personnel they provided." "
Now all participants have entered the venue, and Kiku Ryoko will begin the second half of her speech..." The translated subtitles revealed that the speech was a confession of war crimes.
After finishing her speech, Kiku Ryoko nodded to the audience, earning unanimous applause from all attendees.
Then, four women from the Kiku clan, dressed in white, approached and helped Kiku Ryoko remove her clothes.
Although 41 years old and a mother, Kiku Ryoko maintained a remarkably good figure.
While her areolas had noticeably darkened with age and breastfeeding, her remarkably firm breasts and well-defined waistline still made her appear very attractive. After
carefully putting away her white clothes, Kiku Ryoko walked to a spot near the platform, where there was a tatami-like pattern, and knelt upright. She then took a folding fan from Rosa beside her. At that moment, Tsukahara Mieko drew her long sword and stood behind her, holding it high.
"Ladies and gentlemen, we can now see that Kiku Ryoko is the representative of the Kiku clan who will be repenting at today's event. As the family that once served as the Kiku clan's swordsmanship instructors, they have also sent their best female swordsman to act as Kiku Ryoko's kaishaku (second).
You should notice that Kiku Ryoko is holding a folding fan instead of a wakizashi (short sword). Although she is being offered as a sacrifice for the event, it is difficult for someone without systematic training to perform seppuku. Therefore, in practice, a folding fan can be used to represent a short sword to express the determination to sacrifice oneself, and then the kaishaku will directly behead her. It seems that this is the case today." "
If you are familiar with the Kiku clan of the four islands, you should know that in the many years after the war, Kiku clan women and some men were frequently killed as penitents at various large-scale events. Therefore, maintaining the continuation of the family bloodline is an important task for their family.
Currently, there are more than 80 adult female members of the Kiku clan and more than 130 minors." Many women are chosen, but to ensure the continuation of the bloodline, older women who have already given birth are usually selected to offer themselves. Kiku Ryoko herself has given birth to eleven children and is already 40 years old, making her the best candidate for the event. "
Now, at Kiku Ryoko's signal, Tsukahara Mieko is in position. Next, we will witness a traditional sacrificial ceremony from the Shishima region."
Completely naked, Kiku Ryoko wore a solemn expression. She gently wrapped a white silk scarf, received from someone behind her, around her folding fan, as if it were a real short sword. She then positioned the narrower side of the fan against her left abdomen, slightly below her navel.
She took a deep breath and touched the tip of the fan to her skin.
At that moment, Tsukahara Mieko swung the sword down, the blade effortlessly slicing through Kiku Ryoko's neck bone and surrounding soft tissue, stopping just short of completely severing her neck. Kiku Ryoko's body suddenly lost its life, remaining in a kneeling position, swaying slightly backward. Two women in white nearby quickly dodged the gushing blood from her neck and gently supported her shoulders.
Her head, connected only by a thin sliver of flesh, hung precariously in front of her body.
The High Priest also reached Kiku Ryoko's corpse, reaching out to hook her head. However, the remaining flesh could no longer support the weight of her head, causing it to suddenly detach and fall to the ground. But the High Priest reacted quickly, catching the rolling head and preventing it from falling off the platform. Tsukahara Mieko had already sheathed her sword, but her clenched knuckles, now white, showed how deeply the mistake had affected her.
"Ladies and gentlemen, you must have noticed that the High Priest's attire is different from before. Now he wears a leather belt made from the skin just peeled from Shizumi Yamatai's body. This is a tradition from the Aztecs, where sacrifices not only have their hearts or heads removed, but their skin is also used to make clothing for the priest. However, due to time constraints, we obviously cannot wait for the High Priest to peel off a whole piece of skin, so we have only symbolically peeled off a strip to make a crossbody strap." "
Now the High Priest places Kiku Ryoko's severed head on the tray representing atonement. The scales tilt in the direction of atonement, and the sacred fire taken from the chest cavity of the priestess Shizumi Yamatai in another tray is slowly raised." As the scales tilted, the star containing the sacred flame rose to its highest point.
It continued rising, now completely off the scales. The star, formed from the sacred flame, was now ascending along the pillar behind the platform, faster and faster.
It was now visible at the top of the pillar.
The star's light disappeared at the top of the tall, black pillar, and just as everyone was anticipating its return, the light reappeared at the top of the pillar, hidden in the darkness.
At the top of the pillar was a large, saucer-shaped dome, and now the star was positioned at the tip of a pillar about three meters high and thirty centimeters thick, located in the very center of the saucer. Under the starlight, we could see the figures of 15 women on the saucer's dome. These women danced gracefully around the star, but after only a few dozen seconds, they bent down and lay in the liquid at the top of the saucer, only their heads still protruding slightly.
At this moment, several partition-like structures rose from the shallow pool of the saucer, covering the women's bodies, and then the star exploded.
A massive flame erupted from the disc-shaped pillar above the starry sky, illuminating the entire venue with a blinding light. It gradually dimmed, eventually forming a huge, burning fireball over a meter in diameter. As this fireball appeared, the lights around the venue gradually illuminated the ground in the center. The bloodstains that had previously covered the ground had vanished, replaced by lush green grass. The actors who had portrayed the newly sprouted grass returned to the venue, singing and dancing to celebrate the sunrise and the earth's renewed life.
"Dear viewers, the sacred flame has been lit, and the sun has risen. The opening ceremony of this year's Aztec Congress is drawing to a close. In six hours, we will witness the first true sunrise of the Congress, and at the same time, we will begin our most traditional and longest-running event: the standing piercing survival competition. We will be broadcasting the entire competition live, so please tune in. After the opening ceremony, we will also broadcast highlights, showing you the preparation process for each stage of the Congress, the design of the venue, and the meaning behind the fifteen women on the torch platform—things we were completely unaware of before the Congress began due to confidentiality. Finally, thank you for watching, and goodnight, everyone."

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