The opening ceremony of the Azteria Games, author 33 degrees

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"Good evening, everyone. This is the live broadcast of the 10th Aztec Games. It's 9:52 PM now, and in 8 minutes, the opening ceremony of this Games will begin. I'm Xiaoguo, the host from CCTV Ice Show Channel. I will be providing full commentary on the opening ceremony from our studio 1 and our special commentator Earthengine at the front-line press station."
The female host on the 3D screen had a beautiful oval face, arched eyebrows, and large, bright eyes that radiated youthful energy. Combined with her fair skin and a straight, high, yet playful nose, she was truly a picture of delicate beauty and charm.
"When the opening ceremony begins, our cameras will switch to dedicated studio 2 in the main venue and connect with reporters in the audience, the preparation hall for the performances, and the lounges of the participating teams. We want to ensure everyone has a comprehensive and detailed understanding of the event's progress and behind-the-scenes stories. To broadcast the opening ceremony, the host countries' television stations have set up over 2,000 high-precision cameras and audio equipment in the main venue, along with more than 5,000 medium-resolution or higher mobile transmission devices.
Our live broadcast also supports digital control, so while watching the opening ceremony and the competitions in the coming days, you can view the footage from the main camera selected for you by our experienced directors on the big screen. You can also press the control buttons on your TV or other receiving devices to switch between signals from various connected cameras at different angles, choosing your preferred angle to watch the event live at any time."
"However, we'd like to remind you that although the Aztec Games are one of the most important multi-sport events internationally, due to laws, regulations, local traditions, and other reasons, most of our events are classified as high-level programs. Please ensure you are of legal age.
Also, please note that all live and rebroadcast programs of this Games are pay-per-view, and some major events are even pay-per-view. Please be mindful of your digital TV balance to avoid any unpleasant issues due to unpaid bills." "
Now, please switch the signal to Earthinge at the front-line press station. Let's look forward to the start of this Games!"
"Hello everyone, as we all know, the main venue for this conference is located in Dongdu City, and today our opening ceremony will be held at the Dongdu Stadium, which has just undergone a large-scale renovation.
Before the War of the Aztecs, this was the largest and newest track and field stadium in Dongdu City. However, since it is clear that the Aztec Games and the Olympic Games have significant differences in the events they host, a large-scale renovation was carried out on the original stadium, which is why we have the main venue we see today."
"Ladies and gentlemen, as you follow our camera, you should now see twinkling lights in the stands of the enormous stadium, which can hold 150,000 spectators. These are spectators holding glow sticks, searching for their seats or already seated. Apart from these twinkling lights, the entire venue is completely dark.
Due to the tradition of the Aztec Congress, the lighting of the torch is considered a ceremony to welcome the sun, so all activities before the torch lighting, including cultural performances, will not have the main lighting turned on. Therefore, the torch platform, which has just undergone its latest renovation this year, is also completely shrouded in darkness. Because the renovation process was conducted in secrecy, and spectators only entered the venue as it was already getting dark, no one except the designers and workers who participated in the renovation knows what the design of this year's torch platform and the renovated main stage looks like.
This secret will be revealed during the opening ceremony of the Congress."
"Ladies and gentlemen, it is now 10 PM. You can see a panoramic view of the entire venue through our camera number one. The entire venue is now completely dark, and the opening ceremony of this Congress is about to begin."
"Now, in the darkness, a dark, blood-red light shines from every corner of the venue towards the center, completely staining the track and field area in the middle of the venue the color of congealed blood. At the same time, mournful songs begin to emanate from all corners of the venue, signifying the bloodshed and devastation that followed the Sino-Japanese War in the Shijima Military District. Many families lost loved ones, and an inescapable sorrow permeated the entire country at that time." "
However, those of you familiar with history should know that the actual number of casualties in the Sino-Japanese War was not very high. According to postwar statistics, the population of the entire Shijima Military District decreased by less than 5% during the war. However, the largest suicide wave in a century occurred after the war, which caused the population of the Shijima Military District to drop to 65% of its pre-war level. Moreover, due to some emerging post-war policies and customs, the population of the Shijima Military District experienced significant growth in the following decades. However, these historical and cultural issues are not what we will discuss in detail here."
"Attention, everyone! A bright spot has appeared in the center of the hall – light streaming through the skylight of the elevator in the middle of the hall.
As the light intensifies, a completely transparent platform emitting a soft white glow appears within the skylight. On the platform sits a young girl dressed in the traditional pure white shrine maiden attire of the four islands, singing a famous requiem in a clear, childlike voice." "
This segment is meant to represent the people of the four islands' reflection on war, with the girl comforting and praying for those who died in the war.
Today, the shrine maiden playing this role in this hall is Shizumi Yamatai."
"Yamatai Shizumi is sixteen years old this year. She was selected in a secret selection process that began two months before the opening of the event.
At that time, more than 1,000 16-year-old girls from the four island regions, the host, participated in the selection. Although the specific arrangements of the event were kept secret at the time, being able to participate in the opening ceremony of the Aztec Games, the highest gathering of ice show sports in the world, and as the core of the performance at the opening ceremony, is a great honor for the four island regions, where ice show culture is already very popular among young people. Therefore, the selection process was extremely fierce and rigorous." "
Ladies and gentlemen, the voice we are hearing now is being played through a microphone installed in the decoration on Yamatai Shizumi's body. It is the most authentic voice of this 16-year-old girl.
Moreover, based on our impressions of the opening ceremonies of previous events, as the lead performer at the opening ceremony, there will be quite a few high-level dance performances.
Because these performances at the opening ceremony of the event must be performed by the performers themselves, the selection process not only had requirements for the girls' figure and appearance, but also required a talent competition."
"The Yamatai Shizumi we see today is actually a shrine maiden in real life. She was an orphan adopted by an orphanage in Higashi City and later sent to the Retribution Shrine in Chiyoda Ward, where she became one of the shrine maidens. In addition to attending school normally with other children her age, she was also responsible for singing religious songs and performing dances at various shrine festivals and fundraising events. Therefore, when Yamatai Shizumi performed the audition song and dance prepared for the opening ceremony, she was truly amazing.
Moreover, she has a model-like figure and a very attractive, mature appearance, so she ultimately won the competition."
"However, after the organizers announced the lead actress's name and explained that her role was a traditional shrine maiden, many people from the four islands still objected, believing that Shizumi Ikema, the girl who changed her name to Shizumi Yamatai for the role, had a distinctly mixed-race appearance and was not suitable for playing a traditional shrine maiden. However, with the support of a large number of fans online and the support of the organizer's director, it was ultimately decided that she would play the role." "
Now the lights in the venue have dimmed a little, and Shizumi's singing has become more sorrowful. Those who understand the lyrics should know that the lyrics have changed from comforting the spirits to pessimism about life, and the shrine maiden, as the main character, has begun to lose faith in life. As the singing continues, the main venue becomes darker and darker, and now you can see that only one spotlight is shining on the girl's position. Otherwise, the main venue is completely dark, and the singing has turned into a low sob."
"A glimmer of light appeared at the eastern entrance of the venue, illuminating the entire eastern entrance passage. It grew brighter and brighter—ah, that was the torch of the Games! Ladies and gentlemen, you can now see a figure dressed in the robes of a high priest from the vanished Aztec civilization, wearing a pure gold sacrificial mask from the Aztec Temple of the Sun, seated in a golden chariot pulled by four young girls acting as horses. He holds aloft a golden staff, burning with fire collected from the ancient Aztec city in Mexico, and appears at the entrance of the venue." "
The chariot slowly entered the venue, heading towards the weeping priestess, circling her gently. The girl noticed the high priestess's arrival, stopped weeping, reached out her hand as if for help, and began to sing, expressing her questions about life."
"The camera has now switched to a close-up, and we can clearly see the genuine tears and sorrowful expression on the face of Shizumi Ikema, who plays the Yamatai priestess. This sixteen-year-old girl has portrayed the role absolutely perfectly; her expressions and postures are flawless in every detail.
If this weren't a performance but a movie, she would definitely win an Oscar." "
Accompanied by somber music, we see the actor playing the Aztec high priest stand up and begin to perform a dance with graceful movements.
He first extends his hand to invite the priestess Shizumi Yamatai onto his golden carriage, then makes a horizontal circle with his left hand."
"Ladies and gentlemen, as you can see, with the high priest's gesture, the music has stopped. The lights in the venue focus around the high priest and priestess, then slowly spread out, illuminating a large area in the center of the venue, and the illuminated area continues to expand. The two people
who were previously under the spotlight slowly move from the darkness to the edge of the venue. Now, the high priest and priestess..."
"In the already illuminated area, we can see the ground is a deep black. As the camera zooms in, you can see that this is actually composed of as many as 16,000 actors in the center of the venue, their bodies pieced together in black.
We can discern that this black area is made up of full-body leotards worn by the actors. From the bodies tightly wrapped in the clothing, we can tell that most of these actors are male, but there are also some females." "
Now we see a bright spot appearing in the air above the venue, a ball of orange-red light. Within the ball of light appears a female figure wearing a gorgeous but soft long dress made of silk. As the music gradually resumes, this female figure swirls and dances around the venue. Her body is predominantly orange-yellow, with patterns and decorations in pale yellow, gold, bright red, and light yellow, like flames. As Pan selects her, she unfolds her body against the wind blowing on her, and the actress also opens her arms, her long sleeves fully extended. She is a firebird, a symbol of the ruler of life in ancient Latin American mythology."
"Now, let's zoom in and get a close-up of the actress playing the Firebird. Does she look familiar, viewers?
Yes, the Firebird is played by the renowned dancer Xiao Wen, who is xx years old. Ms. Xiao Wen is not only one of the most famous folk dance performers in China, but she is also the honorary chairperson of a very well-known ice skating enthusiasts association. In previous ice skating performances, she has repeatedly expressed her desire to have an opportunity to fulfill her passion for ice skating and to end her life in a beautiful and glamorous way, while still possessing a young and beautiful body. Seeing her invited to play such an important role at this Aztec Congress, perhaps this is the opportunity she has been searching for?"
"The somber music continued to play. Xiao Wen, transformed into a phoenix, landed on the circular platform in the center of the arena. The steel wire used for suspension had somehow detached from her. Now she was slowly rotating her body on the platform. We could see her graceful figure. Due to years of dance practice, Ms. Xiao Wen's physique was slender yet full of explosive power. I believe that in the close-up shots we are now taking, you can see the muscles surging beneath her fair skin on her abdomen, which was not covered by the flame color, conveying a sense of power. I estimate that such a physique must make many women watching on TV feel extremely envious.
Now we see Ms. Xiao Wen performing her most classic Phoenix Dance. Because some friends online mentioned that Ms. Xiao Wen used her stage name Xiao Wen during the performance, I will refer to her as Xiao Wen in the following commentary. I hope Xiao Wen will not mind the previous mistake."
"Xiaowen is now performing a graceful dance, perfectly capturing the sorrowful expression of the phoenix, or firebird as it is known today. We can clearly feel this emotion in her movements. The Phoenix Dance is an improvement upon the Peacock Dance by Yang Liping, a legendary dancer who was active on the dance stage at the beginning of the century. It incorporates more fiery and passionate details, and is Xiaowen's signature piece that brought her fame in the dance competition."
"The dance you are watching is nearing its end. The firebird is also grieving for the scorched earth. At this moment, a dark and eerie melody appears in the music. We see a platform rising from the blackness in the center of the arena, and on the platform is a pure black mass. Suddenly, the blackness unfolds, revealing a humanoid figure wearing a black robe and a skull mask. His hands and feet are decorated with white bone fragments, which should symbolize death, the Grim Reaper."
"According to the information provided by the organizers, the actor playing Death is also a renowned dancer, the world-famous young Chinese-American dancer Mei Shijia. He is also a renowned swordsman, having achieved a fourth-dan qualification in Kendo, which gives his dance a unique sense of power." "
Now we see two platforms closing in on each other, and the two dancers are communicating through their dance. Although there are no lyrics, through the coordination of their dances and the subtle music, we can sense that the two deities symbolizing life and death are arguing about something. Firebird accuses Death of cruelty and selfishness, while Death mocks Firebird's naiveté. From their movements, we can see that Death seems to be offering a deal: if Firebird is willing to sacrifice her life, he can restore life to this place, forever."
"Firebird hesitates, but ultimately she makes a decision. We see the two platforms merge together. Xiao Wen, playing Firebird, dances around Mei Shijia, who plays Death, several times before kneeling before him."
"At this moment, several flashing arcs of electricity illuminated the venue from the ceiling, and the thunder from the speakers was deafening. In the flashes of light, a huge, gleaming scythe descended from the sky and slowly landed in the hands of Death."
"Death was having a final exchange with the Firebird, which seemed determined to exchange its own life for the life of the world.
Now Death had raised its scythe, and the music in the venue reached its climax, with the thunder and the heart-stirring drumbeats growing ever more intense."
"Now we see a close-up of Xiaowen, who plays the Firebird. She's kneeling gracefully on the stage, her expression serene. From this side shot, we can see that as a renowned dancer, Xiaowen's neck has a unique beauty in this pose—not only is it long, but it also has a beautiful curve that complements her body." "
He swung his scythe, and the scythe with lightning effects slashed across Xiaowen's neck. We see images from different angles from multiple cameras on site. Xiaowen's head was severed in one blow, and bright red blood instantly stained half the platform. Her headless body was still swaying slightly, but she didn't fall.
At this moment, Xiaowen's head flew up from the ground and landed in the hand of Mei Shijia, who plays the Grim Reaper. I believe there must be some kind of wire-like connection to create this effect. Oh, indeed, now through the close-up, we can see a wire in Xiaowen's hair that's connected to Mei Shijia's hand. That's why Xiaowen's head didn't roll too far when it was severed, and it flew into Mei Shijia's hand out of thin air."
"Xiaowen's face remained serene, without a trace of blood. It is said that before the performance, Xiaowen's entire body was coated with a special non-stick paint to ensure that she would not get covered in blood, especially on her face, during the performance."
"Now let's replay the scene of Xiaowen's decapitation. We can see how precise and skilled Mei Shijia's movements were. Before the performance at the event, Mei Shijia, who was already proficient in swordsmanship, underwent two months of intensive practice to ensure he could smoothly use the relatively uncommon scythe as a decapitation tool. It is said that he used more than 1,000 straw targets alone. During the rehearsals for the official performance, three volunteers volunteered to practice, solving some problems that had not been anticipated beforehand, which led to that beautiful strike. Now we see in slow motion that as the blade flashes, Xiaowen's head flies off at a very gentle angle amidst the impact of the blade and the gushing blood. This shot can truly be called one of the best shots in the history of ice shows.
In fact, Ms. Xiaowen has many fans among ice show enthusiasts, and I believe that her graceful sacrifice this time will satisfy many fans. However, those who are not ice show enthusiasts may be a little disappointed, because this is Xiaowen's truly last performance."
"Death on the platform seemed moved by this sacrifice. We see him holding the severed head of the Firebird, seemingly trying to say something. Now, Death slowly ascends, forcefully throwing his gleaming scythe onto Xiaowen's headless body. Dozens of red beams of light gather in the pool of Xiaowen's blood on the platform, then suddenly disperse, illuminating the entire performance area in the center of the venue. This likely signifies that the Firebird's blood has nourished the scorched earth." "
Now, green appears among the actors in black costumes in the venue. These green figures are also played by actors." "
Now, the green-bodied actors in the center of the venue stand up. Compared to the black-clad actors, there seem to be fewer of them, but their bodies are more ornately decorated." "
With our close-up shot, we can clearly see that the green section in the center of the venue consists entirely of female actors with full-body body paint in green.
These actresses are covered in emerald green paint, their hair is dyed green, and they wear long, green skirts resembling grass skirts."
"Now the music on stage is even more cheerful, and the green-clad actresses begin to twirl to the melody, their green skirts spreading out little by little as they spin, their arms moving in unison, making them seem like vibrant plants on the earth. The music becomes even more lively, and we hear birds and insects chirping in the background. The once scorched earth has become full of life. Our director even gives a close-up shot, allowing us to see the joyful expression on one of the performers' faces, but the camera is a bit low, the viewpoint seemingly focused on the swaying breasts of the actresses as they dance." "
But this doesn't last long. Now the roar of machinery appears, and many huge lawnmowers, pushed by people, appear on both sides of the stage.
These lawnmowers are just frames; they are actually pushed by many actors. And the blades on the lawnmowers aren't real blades, but rather the actors holding long blades."
"As the lawnmower entered the venue, the actresses playing the grass stopped dancing, waiting to be decapitated as the lawnmower passed by.
Most of these actresses playing the grass were volunteers over the age of thirty. They were among the first generation to embrace the ice show culture after the war. In their view, this way of dedicating themselves to the event was a way to escape the mundane and busy life of a housewife, a kind of spiritual sublimation.
Many of them were mothers of multiple children. The birth rate in the four islands was very high after the war, and a woman in her thirties might have four, five, or even more children. Moreover, due to the gender imbalance caused by certain policies, many of these women had only given birth to a few daughters in marriages that could last for ten years.
These women who did not give birth to sons also faced great pressure in their families. The gender imbalance made many traditional families place even greater emphasis on having a male descendant to inherit the family business."
"The actors playing the grass were remarkably calm when facing the long swords. Their postures were precise, and as the swords swung, their heads were severed and collected into the harvester. Their corpses were kept in a half-kneeling position with the help of actors in black bodysuits around them.
These sword-wielding actors were incredibly skilled and synchronized; they were special forces soldiers from various units stationed on the four islands. Only these soldiers could possess such physical prowess and perfect coordination." "
The scene was truly spectacular. There were as many as 4,000 actors playing the grass, and in less than five minutes, four thousand heads were severed by the swords, leaving a vast expanse of headless corpses spraying red blood into the sky in the center of the arena. Whatever the initial color of the arena, it is now undoubtedly completely stained a deep red."
"The lawnmower left the field, and the bodies of the 4,000 headless volunteers were gradually laid flat.
Now, the actors, who were originally wearing black bodysuits, were all covered in blood, and the earth was once again deathly silent."
Section Three
: "Death descended from the sky again, but this time, instead of a scythe flashing with electricity, he held the head of the firebird, played by Xiaowen, which he had previously severed. Now, countless points of light rained down from the head, perhaps symbolizing the firebird's burning life force, or perhaps tears of compassion." "
As these points of light fell, four more platforms rose in the center of the field. On each platform was a stainless steel pillar, around which stood many actresses in silver bodysuits. These actresses looked much younger than the actress who had played Xiaocao, around twenty years old. Their bodysuits were very distinctive; only their necks, arms, legs, and sides were covered, while their fronts, from their collarbones down to their groins and their entire backs, were completely exposed."
"These performers are students from various dance and gymnastics academies in the four islands region, a total of 80. There are now twenty performers on each lift, standing in a circle with their backs to the metal pillars on the lift." "
Now the metal pillars on the lift split open, each very thick metal pillar dividing into twenty much thinner metal cylinders, somewhat like the poles used in pole dancing." "
Now the performers on the lifts begin to dance—oh, it really is pole dancing!
Watching these young actresses perform pole dancing in tight-fitting outfits that almost completely expose their frontal bodies is truly a thrilling performance.
Of course, such performances are not uncommon at the Ice Show."
"Now, the pole bends outward at the very top, and a silver noose hangs from the tip of the bend. The dancers' movements have changed, noticeably different from previous pole dances."
Close-up shots show the actresses gripping the noose with one hand, pressing their bodies against the pole, and clamping their thighs between it, making various seductive gestures.
The actresses' genitals are clearly hairless, their smooth vulvas rubbing against the pole. Sometimes the pole slightly brushes against their labia, causing them to flip open and reveal the pinkish area inside.
The music gradually intensifies, and the dancers' movements become more intense. With a captivating harmony, the actresses reach around their necks and slowly squat down with their backs to the metal pole, clasping their hands behind their backs and slightly parting their thighs to expose their private parts to the audience.
Then the metal bar began to rise, and the actresses' bodies were gradually pulled up by the noose. This time, however, they didn't stand up; instead, they remained kneeling, their hands and feet clasped together behind them as the noose lifted them off the ground.
"Ladies and gentlemen, we are now switching to a shot from the center of the stage. In this shot, we can see close-ups of the actresses' hands and feet.
Special metal rings are attached to the wrists and ankles of these costumes. By touching these rings at specific locations, they connect together.
So now we see that the actresses' limbs are secured behind them. Ah, the metal bar is starting to descend again. Now the actresses can use their knees to support themselves on the platform."
The platform then began to rotate slowly, faster and faster. It became increasingly difficult for the actresses to support themselves with their knees.
Next, the metal bar rose slightly more, and the actresses' bodies detached from the platform. Driven by the rotating platform, they were flung apart by centrifugal force, forming a silver ring around the platform.
"Ladies and gentlemen, now a special camera mounted on a boom is sending a close-up shot, focusing on an actress being suspended by a noose. From the expression on her face, we can see that she is now experiencing the most painful stage of the suspension. On her face, we can see the relaxed expression formed by the pleasure of the moment alternating with the pain caused by suffocation and the tension on her neck.
Wait a minute, it seems like she suddenly spasms. Now her expression becomes completely relaxed."
"Now the camera switches back to a wide shot. We can see that between the spread thighs of the suspended actresses, shimmering liquid is being sprayed around them as they rotate. They must have just lost control of their bladders. Each of the lifts on the stage rotates, causing up to twenty actresses around it to rotate and spray liquid in all directions. The light left by the sprayed liquid and the reflections on the actresses' bodies create an illusion resembling a giant lawn sprinkler.
It's truly remarkable that they were able to make up to 80 actresses on four lifts lose control of their bladders at the same time."
The water curtains formed by the liquid flowing from the actresses' bodies on the stage don't last long, but the liquid flowing from their bodies is shimmering, forming beautiful streaks of light in the dark environment.
"Wait a minute, the event materials have arrived. Ladies and gentlemen, the performers who participated in today's water screen performance underwent special preparations. Half an hour before the performance, they replenished their fluids by drinking a special beverage, resulting in a significant accumulation of urine in their bladders during the show.
Additionally, a specific dose of a special fluorescent agent was injected into their bladders before the performance began. This agent dissolves in the urine and emits a beautiful flash upon contact with oxygen when expelled." "
And the slight spasms we just saw in the performers were actually caused by electric shocks delivered via a noose. This allows the performers to enter the spasms simultaneously and in perfect unison.
While this maximizes the performance's impact, it's regrettable that the volunteers participating in the performance don't fully enjoy the exhilarating feeling before the finale.
It's undeniably a pity."
"After the rain was sprinkled, we saw the platform slowly stop rotating and descend back below the ground. On the ground, tiny green shoots appeared, now clearly visible through close-up shots. These green shoots were girls in light green bodysuits, interspersed among the actors in black bodysuits. These girls appeared to be around fourteen or fifteen years old. According to the organizers, they were junior high school students from Dongdu City, totaling over 6,000. They danced the same dance as the actresses who played plants in the previous performance, gradually rising among the actors in black bodysuits. This symbolized the earth, after being damaged, gradually regaining its vitality after being watered. What a symbolic dance!"
"Now, a very clear and melodious song echoed through the venue—a chorus of the more than 6,000 girls present. As this beautiful song played, the lights in the center of the venue gradually dimmed, and the light once again focused on one side of the venue. The two main characters we had overlooked in the previous dance were now standing near what should be the torch platform of the event."
"As the camera shifts, we can now see dim lighting in the center of the venue. The performers have all left, but the bloodstains left from the mowing process remain, making the ground blood-red, very similar to the blood-red effect created by the lighting at the beginning of the performance. The grand performance seems like just a dream." "Now the camera
shifts back to our two main characters, the High Priest and the Priestess, who are now on a platform at the edge of the arena. The golden carriage pulled by the four actresses has disappeared, leaving only the two of them performing under the spotlight. The High Priestess seems to be giving the Priestess guidance, pointing out the balance of life, that only through sacrifice can there be rebirth—this is the eternal theme of the Aztec Assembly, as we know it: all sacrifices are offerings to welcome the world's rebirth."
"Now the priestess Shizumi Yamatai stands up and begins to respond to the high priest with her soothing dance. It is clear that the priestess has decided to dedicate her life to healing the war-torn land.
The priestess's dance has a very special style. It should be a traditional dance of the four islands. Oh no, as the rhythm of the music changes, we can feel the style of the dance changing. From the originally slow rhythm of the traditional dance of the four islands, it gradually becomes a more upbeat rhythm combined with Aztec music. The movements also become more open, and it looks a bit like samba."
"The priestess, having decided to dedicate herself, seems to want to ask the high priest for something. This dance is different from the more cheerful one we just saw. I think the audience can sense many of the hidden meanings within this dance."
The priestess on the rising platform half-knelt before the high priest, gently stroking his body adorned with colorful patterns. Her fingers traced along his prominent chest and abdominal muscles, finally subtly pointing towards the area beneath his crotch, concealed by a special leather skirt.
The high priest responded to this simple, primal invitation, placing his staff, burning with sacred fire, behind him and beginning to dance with the priestess.
The two on the platform began to dance with the posture and expression of lovers, sometimes holding hands and embracing each other;
sometimes separating but their outstretched arms conveying a tender affection.
At this moment, a small platform rose up in front of the high priest and the witch on the elevator. Its square shape eventually stopped at a height of half a person. The originally milky white and luminous surface gradually dimmed, revealing patterns like stone carvings and the color of pale yellow stone that resembled the material used to build the pyramids.
The small platform had a slight bulge in the center, and the patterns around it bore distinct characteristics of Aztec civilization, clearly indicating it was the design of an Aztec altar.
In the fourth section,
Yamatai Shimi, with her back to the altar, gently swayed her body, continuing her dance in coordination with the high priest while loosening her sash, allowing her snow-white priestess robes to slip down her body. Finally, as her buttocks rested against the side of the altar, her beautiful, snow-white body was fully revealed.
This girl of mixed heritage possessed the long legs and pert buttocks common to Caucasians, along with the delicate skin and straight, flowing black hair typical of Asians.
Under the spotlight, the girl's entire body shone with dazzling whiteness, like a goddess descended to earth. However, although this goddess had a more mature appearance, she still retained the body of a young girl, with only two small, snow-white mounds on her chest, possessing a youthful beauty.
However, the goddess's divine role must be one of temptation or desire, because right now, Yamatai Shizumi is slowly twisting her body in a very seductive posture, lifting her buttocks onto the altar, while also lifting her long hair with her hands and slowly opening her legs towards the high priest in front of her, revealing her alluring private parts.
"Ladies and gentlemen, the director is now showing footage shot from below by several cameras located on the ground in the venue. If you are more interested in the details of this beautiful shot, you can use the camera signal adjustment function on the remote control to switch to some close-up cameras for a closer look. However, please note that this program is restricted. When adjusting the signal, please ensure that there are no minors around to avoid violating the law." "
Ladies and gentlemen, the director has now switched to a wide shot. You can see that as the High Priest and the Priestess prepare to make love, four different colored lights appear in the four corners of the venue. These lights fly towards the platform where the High Priest and the Priestess are located.
Through the close-up shot, we can clearly see that these four lights are actually four people dressed in traditional Aztec clothing, but their paint and masks are different from the High Priest's. Judging from the colors of their clothing and paint, they likely represent the four elements that constitute the world."
"Now, the four priests representing the four elements have also flown onto the platform. They stand at the four corners of the altar, each performing a dance representing their element.
In the center of the platform, the priestess already seated on the altar and the high priest in front of her are gradually rising, now about thirty centimeters higher than the surrounding area."
On the platform, Yamatai Shizumi wrapped her arms around the high priest in front of her, gently kissing him. The high priest, on the other hand, wrapped one arm around the girl's waist, while the other hand reached down to his crotch, adjusting his erection and slowly probing into the girl's genitals. The music in the venue became passionate and fiery. The couple on the platform, the focus of everyone's attention, finally pressed their bodies together completely. The high priest moved rhythmically on the girl, who was lying on her back on the altar, while the girl occasionally straightened her body, rhythmically and elegantly tossing her long black hair.
A close-up shot focused on the point where a man and woman, their passion melting into each other, met. The high priest's abode, adorned with classical Aztec patterns, moved in and out between the priestess's snow-white thighs, causing her delicate, pale pink labia to flip in and out, a viscous fluid seeping from the crevice.
"Ladies and gentlemen, please pay attention to the scene appearing in this close-up shot. If we pause for a moment, we can see that beneath the high priest's penis, there is actually a tube fixed to it.
We speculate that this is some kind of special device set up for the event, possibly related to some part of the upcoming performance."
The music reached its climax, the drumbeats growing louder and louder, seemingly vibrating the hearts of the entire audience and performers. The rhythm of the drums also unconsciously quickened, as if urging the already scheduled ritual to begin quickly. Yamatai Shizumi stretched out her limbs on the altar, seemingly having achieved some kind of satisfaction. At this moment, the girl fully opened her body on the altar, her arms and legs outstretched to the four corners. The four priests around her turned to face her, pressing down on her wrists and ankles. Clamping patterns of shackles appeared on the altar to immobilize her limbs.
The high priest did not separate from the priestess; remaining in his inserted position, he pulled the still-burning sacred fire staff from the ground behind him.
He raised the golden staff high, and from the shallow, dish-shaped fire plate at its tip, a golden blade slowly emerged. Simultaneously, the flames in the plate began to gather and form a flaming blade enveloping the edge. The high priest grasped the tip of the staff, attempting to remove the flaming blade. The flipped artifact, burning with astonishing heat, was pointed like a dagger at the priestess waiting on the altar.
The drumbeats grew increasingly intense. The high priest pressed his left hand against the girl's chest, seemingly to determine the point of the cut, or perhaps to soothe the terrified sacrifice.
Suddenly, it stopped. At that moment, the high priest plunged the flaming blade into the girl's chest. The flames and the blade effortlessly separated the girl's skin and bone. The tip of the staff went all the way in, then moved up and down along the girl's midline until it created a wound that completely separated the sternum.
As the blade pierced her tender body, Yamatai Shizumi violently straightened her body. In the close-up shot, one could see the pain and fear on the girl's face, though it lasted only a few seconds, but was unmistakably real, followed by a fleeting moment of relief and satisfaction. Then, the girl's body, which had been struggling—whether real or feigned—ceased to rest, and she lay limply on the altar.
At that moment, as the high priest's hand cleaved the girl's chest in two, a burst of brilliant fire erupted from the wound. The high priest reached out and retrieved this flame of life, ignited by the divine fire at the tip of his staff, from the girl's chest, holding it high in his hands. At this moment, all the lights in the entire arena dimmed again, leaving only the gleaming flame in the high priest's hand, which seemed like a star plucked from the sky.
"Ladies and gentlemen," the high priest continued, "what we just witnessed was the most authentic Aztec tradition of sun sacrifice. It's worth mentioning that our high priest, played by Anuka Corola Montezuma XVI, is a direct descendant of Montezuma II, the most famous king in Aztec history.
Anuka is twenty-nine years old. As a young man not yet thirty, his experience is remarkably rich. He is a successful businessman who, after inheriting his father's company, successfully increased its market value to 1.6 billion. Previously, he had worked in the international anti-drug special department..." Serving in the team, he is also a black belt holder in three different martial arts disciplines and a renowned dancer. Because of these rich experiences, he was able to portray the high priest role, inherited from his bloodline, so vividly and accurately. Let us applaud this true high priest in gratitude, and also thank the priestess Shizumi Ikema for sacrificing her life in the performance.
In the fifth section,
the high priest on the rising platform held aloft the fire he had taken from Shizumi Yamatai's chest with his left hand, turning it to the left and right so that the entire audience could clearly see the blazing flame burning in his hand. At this moment, the four priests representing the four elements released the limbs of the deceased priestess, gathered around the high priest, and each took out a transparent, hollowed-out petal from their bodies. They carefully lowered the petals from their hands, gathering them in the high priest's lowered hand, piecing them together to envelop the blazing sacred fire, forming a sphere that shone like a star.
The light shifted slightly, focusing on a spot behind the elevator platform, near the base of a tower-like structure in the darkness.
There, gleaming gold in the light, was a scale. On the walls above the two pans of the scale were exquisitely carved graphics: one side depicted a heart held aloft by two hands, the other a skull pierced through the top by a dagger.
"Ladies and gentlemen, what you are seeing now is an important symbol of the Aztec Assembly, imbued with modern meaning. On either side of the platform are carved a pattern, symbolizing glorious sacrifice and punishment for sin. Sacrifice and punishment are the two main activities of the Assembly."
The High Priest, with a calm and solemn posture, placed a glittering star in his hand on the tray symbolizing sacrifice.
"Now, the sacred fire of the priestesses is already on the sacrificial side. So, what will be offered on the side of punishment for sin?"
"Oh, ladies and gentlemen, now you see another large platform rising in the center of the arena. This platform is much larger than the previous ones. On the platform are five women dressed in pure white wufu and one samurai. Well, through the close-up, you can see that the samurai is also a woman."
"The elevator is now moving towards the location of the High Priest, and the two will soon converge. As the camera zooms in, we can now see the faces of the five women in white. We also see the information sent by the conference. The woman walking in the middle of the five women is Princess Kiku Ryoko, formerly of the Shishima Imperial Family.
Kiku Ryoko is the older sister of the current head of the Kikuka Imperial Family, formerly known as Princess Hiroshi Kikutoku. She is 41 years old. She has eleven children, eight of whom are daughters. Her eldest daughter is 20 years old and has just received the title of Princess Aki. The four women around her are also women of the Kikuka family: 33-year-old Yoko, 35-year-old Shiro, 29-year-old Hanako, and 34-year-old Rosa Camille. The woman dressed in samurai attire is 33-year-old Tsukahara Mieko."
"Now, Ryoko Kiku has reached the platform. She turns to face the audience and begins her speech.
As the host, she extends a warm welcome to ice show enthusiasts from all over the world. As the welcoming speech concludes, we can see that many entrances have opened around the venue, and representatives of the participating teams and volunteers enter the venue from the surrounding entrances, standing loosely on the track. This is a unique aspect of the Aztec Games, because many competitions have a large number of participants, and volunteers and enthusiasts are important participants in the Games, but they do not belong to any particular team. Therefore, the opening ceremony does not introduce the teams one by one. Moreover, the participating teams are not necessarily representatives of a particular country or region; they may also be representatives of a company or private group. For example, the well-known high-end food company, Saikai, sent a team of over 300 people this year, not including other personnel they provided."
"Now all participants have entered the hall. Kiku Ryoko will begin the second half of her speech. As you can see from the subtitles, her speech is a confession of war crimes."
Having finished her speech, Kiku Ryoko nodded to the audience, earning unanimous applause from all attendees.
Then, four women from the Kiku clan, dressed in white, approached and helped Kiku Ryoko remove her clothes.
Although she was 41 years old and a mother, Kiku Ryoko's figure was still remarkably well-maintained.
While her areolas had noticeably darkened with age and breastfeeding, her remarkably firm breasts and still perfectly curved waist and abdomen made her appear quite attractive.
After carefully putting away her white clothes, Kiku Ryoko walked to a spot near the platform, where there was a tatami-like pattern, and knelt upright. She then took a folding fan from Rosa beside her. At that moment, Tsukahara Mieko drew her long sword and stood behind her, holding it high.
"Ladies and gentlemen, we can now see that Kiku Ryoko is the representative of the Kiku clan who will be repenting at the tournament today. As the family that once served as the Kiku clan's swordsmanship instructors, they have also sent their best female swordsman to act as Kiku Ryoko's kaishaku.
You should notice that Kiku Ryoko is holding a folding fan instead of a wakizashi short sword. This is because although she is being offered as a sacrifice for the tournament, it is difficult for someone without systematic training to perform seppuku. Therefore, in practice, a folding fan can be used to represent a short sword to express the determination to sacrifice oneself, and then the kaishaku will directly behead her. It seems that this is the case today."
"If you are familiar with the Kiku clan of the Four Islands, you should know that in the years following the war, women and some men of the Kiku clan were frequently killed as penitents at various large-scale events. Therefore, maintaining the lineage is an important task for the clan.
Currently, there are over 80 adult women of the Kiku clan and over 130 minors. However, to ensure the continuation of the bloodline, they usually send older women who have already given birth to offer themselves. Kiku Ryoko herself has given birth to eleven children and is already 40 years old, making her the best candidate for this event." "
Now, at Kiku Ryoko's signal, Tsukahara Mieko is in position. Next, we will witness a traditional sacrificial ceremony of the Four Islands region."
Completely naked, Kiku Ryoko wore a solemn expression. She took a white silk scarf from someone behind her and gently wrapped it around her folding fan, as if it were a real short sword. Then, she aimed the narrower side of the fan at her left abdomen, slightly below her navel.
After taking a deep breath, she touched the tip of the fan to her skin.
At that moment, Tsukahara Mieko swung her sword, the blade effortlessly slicing through Kiku Ryoko's neck bone and surrounding soft tissue, stopping just short of severing her neck completely. Kiku Ryoko's body suddenly lost its life, still kneeling, swaying slightly backward, but two white-clad women nearby immediately dodged the gushing blood from her neck and gently reached out to support her shoulders. Her
head, connected only by a thin sliver of flesh, hung precariously in front of Kiku Ryoko's body.
The High Priest also reached Kiku Ryoko's corpse, reaching out to hook her head, but the remaining flesh could no longer support the weight of her head, causing it to suddenly detach from her body and fall to the ground. However, the High Priest reacted quickly, catching Kiku Ryoko's rolling head and preventing it from falling off the platform. Tsukahara Mieko had already sheathed her sword, but her clenched knuckles, now white, showed that the mistake had been a great blow to her.
"Ladies and gentlemen, you must have noticed that the High Priest's attire is different from before. Now he wears a belt made from the skin that was just peeled off from Shimi of Yamatai. This is a tradition from the Aztecs, where sacrifices not only had their hearts removed or their heads cut off, but their skin was also peeled off to make clothes for the priest. However, due to time constraints, we obviously cannot wait for the High Priest to peel off a whole piece of skin, so we have only symbolically peeled off a strip of skin to make a crossbody strap."
"Now the High Priest has placed Kiku Ryoko's severed head on the tray representing atonement. The scales are tilting in the direction of atonement, gradually raising the sacred fire taken from the chest of the priestess Yamatai Shizumi on another tray. As the scales tilt, the star containing the sacred fire has now risen to the highest point of the scales.
It is still rising and has completely left the scales. Now this star formed by the sacred fire is rising along the pillar behind the elevator platform, and it is getting faster and faster.
Now it has reached the top of the pillar and can no longer be seen."
The starlight disappeared at the top of the tall black pillar, and just as everyone was waiting expectantly, the starlight reappeared at the top of the pillar hidden in the black night.
At the top of the pillar was originally a large disc-shaped dome. Now, the star was positioned at the very center of this dome, atop a pillar about three meters high and thirty centimeters thick. Bathed in starlight, we could see the figures of fifteen women atop the disc. These women danced gracefully around the star, but after only a few dozen seconds, they bent down and lay down in the liquid at the top of the disc, only their heads still protruding slightly.
At that moment, several partition-like structures rose from the shallow pool of the disc, concealing the women's bodies, and then the star exploded.
A massive ball of flame instantly ignited from the higher disc-shaped pillar where the star was located, illuminating the entire venue with a blinding light. It then gradually dimmed, eventually forming a huge, burning fireball over a meter in diameter. With the appearance of this fireball, the lights around the venue gradually illuminated, lighting up the ground in the center of the hall. The bloodstains that had previously covered the ground had somehow been washed away, and now the field was covered in lush green grass. The actors who had played the newly sprouted grass had returned to the venue, singing and dancing to celebrate the sunrise and the earth's return to life.
"Ladies and gentlemen, the sacred flame has been lit, and the sun has risen. The opening ceremony of this Aztec Congress is drawing to a close. In six hours, we will witness the first true sunrise of the Congress, and at the same time, we will begin the first and most traditional event of the Congress, which is also the most time-consuming: the standing piercing survival competition. This station will broadcast the entire competition live. Please tune in. After the opening ceremony, we will also broadcast behind-the-scenes footage, showing you the preparation process for each stage of the Congress, the design of the venue, and the meaning behind the fifteen women on the torch platform—things we were completely unaware of before the Congress began due to confidentiality. Finally, thank you for watching, and goodnight, everyone."

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